Yamaha M2500 Manual Do Utilizador
Control panel
14
M2500—Owner’s Manual
GROUP/AUX FLIP switch
The M2500 provides a GROUP/
AUX FLIP switch that
exchanges the output destina-
tions of GROUP buses 1–8 and
AUX buses 7–14.
AUX FLIP switch that
exchanges the output destina-
tions of GROUP buses 1–8 and
AUX buses 7–14.
● When GROUP (
) is selected
The signals of GROUP buses 1–8 will be routed
through the G1/A7–G8/A14 section, and sent to the
GROUP/AUX OUT jacks, the STEREO bus, MONO/C,
and MATRIX buses. The signals of AUX buses 7–14 will
be routed through the A7/G1–A14/G8 section, and sent
to the AUX GRP OUT jacks. With this setting, AUX
buses 7–14 can be used as conventional AUX buses, and
GROUP buses 1–8 can be used as group buses. This set-
ting is more convenient when you are using the M2500
as a main console, since you will be able to use the 100
mm faders to control the group buses.
through the G1/A7–G8/A14 section, and sent to the
GROUP/AUX OUT jacks, the STEREO bus, MONO/C,
and MATRIX buses. The signals of AUX buses 7–14 will
be routed through the A7/G1–A14/G8 section, and sent
to the AUX GRP OUT jacks. With this setting, AUX
buses 7–14 can be used as conventional AUX buses, and
GROUP buses 1–8 can be used as group buses. This set-
ting is more convenient when you are using the M2500
as a main console, since you will be able to use the 100
mm faders to control the group buses.
● When AUX (
) is selected
The signals of GROUP buses 1–8 will be routed
through the A7/G1–A14/G8 section and sent to the
AUX/GRP OUT jacks. The signals of AUX buses 7–14
will be routed through the G1/A7–G8/A14 section,
and sent to the GROUP/AUX OUT jacks, the STE-
REO bus, MONO/C, and MATRIX buses.
This setting is more convenient when you are using
the M2500 as a “monitor console” to control individ-
ual monitor levels on stage, since you will be able to
use the 100 mm faders to control each of the AUX
buses (1–14).
through the A7/G1–A14/G8 section and sent to the
AUX/GRP OUT jacks. The signals of AUX buses 7–14
will be routed through the G1/A7–G8/A14 section,
and sent to the GROUP/AUX OUT jacks, the STE-
REO bus, MONO/C, and MATRIX buses.
This setting is more convenient when you are using
the M2500 as a “monitor console” to control individ-
ual monitor levels on stage, since you will be able to
use the 100 mm faders to control each of the AUX
buses (1–14).
GROUP
AUX
GROUP/AUX FLIP
A7 / G1
AFL
LEVEL
0
10
ON
0
10
AUX5
AUX6
A8 / G2
AFL
LEVEL
0
10
ON
PAN
ST
L
C
R
ODD
EVEN
MONO
LCR
1-2
3-4
5-6
7-8
G1 / A7
ON/EDIT
AFL
10
10
20
30
40
60
50
5
0
5
PAN
L
C
R
MATRIX
ST
MONO
LCR
CHECK
ON
G2 / A8
ON/EDIT
AFL
10
10
20
30
40
60
50
5
0
5
PAN
L
C
R
MATRIX
ST
MONO
LCR
CHECK
ON
PRE
0
10
0
10
0
10
0
10
AUX7
AUX10
AUX9
AUX8
When GROUP is selected
AUX/GRP OUT jacks
GRP/AUX OUT jacks
STEREO bus
MONO/C bus
MATRIX bus
STEREO bus
MONO/C bus
MATRIX bus
A7/G1–A14/G8 section
G1/A7–G8/A14 section
GROUP
AUX
Input
channel
A7 / G1
AFL
LEVEL
0
10
ON
A8 / G2
AFL
LEVEL
0
10
ON
PAN
ST
L
C
R
ODD
EVEN
MONO
LCR
1-2
3-4
5-6
7-8
G1 / A7
ON/EDIT
AFL
10
10
20
30
40
60
50
5
0
5
PAN
L
C
R
MATRIX
ST
MONO
LCR
CHECK
ON
G2 / A8
ON/EDIT
AFL
10
10
20
30
40
60
50
5
0
5
PAN
L
C
R
MATRIX
ST
MONO
LCR
CHECK
ON
0
10
AUX5
AUX6
When AUX is selected
GROUP
AUX
PRE
0
10
0
10
0
10
0
10
AUX7
AUX10
AUX9
AUX8
AUX/GRP OUT jacks
GRP/AUX OUT jacks
STEREO bus
MONO/C bus
MATRIX bus
STEREO bus
MONO/C bus
MATRIX bus
A7/G1–A14/G8 section
G1/A7–G8/A14 section
Input
channel