Yamaha MU50 Manual Do Utilizador

Range:

L63 — C — R63

This determines the Pan position of the Chorus sound, or where it
appears in the stereo image.

→ 

Range:

0 — 127

This determines the level of the Chorus signal sent to and processed
by the Reverb effect. A setting of 0 results in none of the Chorus-
processed signal going to the Reverb.

HINT
Setting this to a relatively high level gives you a more natural sound, since the Chorus-proc-
essed sound is also being processed by the reverb. More unusual effects can be created by
having a long Reverb and setting this to 0, so that the Chorus sound is dry (no Reverb) and
the original sound is “drenched” in Reverb.

For details on the parameters for each Chorus Type, refer to the separate
SOUND LIST & MIDI DATA booklet.

Variation (VAR)

The Variation section provides a wealth of additional effects for processing
the Voices of the MU50. It features some of the same effects found in the
Reverb and Chorus sections. This is not mere redundancy; it allows you to
use two types of Reverb or Chorus on different Voices. For example, you may
want to have the Flanger effect on one Voice and Phaser on another. Variation
also gives you many special effects not found in the other sections, such as
Delay, Gate Reverb, Distortion, and Wah.

The Variation section of effects can be applied either to a single se-

lected Part or to all Parts, depending on the connection setting: Insertion or
System. (See About the Effect Connections — System and Insertion on
page 92 for more information.)

Explanations of the Variation Type and other common parameters are

given below. For specific descriptions of Variation Types and explanations
for all other Variation parameters, refer to the separate SOUND LIST &
MIDI DATA booklet.