Grace Design m201 M201 Folheto
Códigos do produto
M201
standard m201
D
uring its 12 years in production,
the model 201 mic preamplifier found
its way into countless recording facilities
around the world, gathering a considerable
amount of critical acclaim along the way.
Now our classic two channel mic preampli-
fier has been completely redesigned and
transformed into the m201.
its way into countless recording facilities
around the world, gathering a considerable
amount of critical acclaim along the way.
Now our classic two channel mic preampli-
fier has been completely redesigned and
transformed into the m201.
Like the rest of our line, the new m201
delivers unmatched audio performance,
with massive headroom, ultra-wide band-
width and a very open, musical character.
The signal path has been hot-rodded to be
fully balanced from start to finish, resulting
in a wider dynamic range, while new high-
current output drivers enable even longer
cable runs without signal loss. This means
the m201 can translate a sonic picture of
astonishing clarity and detail, which serves
to capture the essential character of the
music being recorded.
with massive headroom, ultra-wide band-
width and a very open, musical character.
The signal path has been hot-rodded to be
fully balanced from start to finish, resulting
in a wider dynamic range, while new high-
current output drivers enable even longer
cable runs without signal loss. This means
the m201 can translate a sonic picture of
astonishing clarity and detail, which serves
to capture the essential character of the
music being recorded.
We offer the m201 with our state of the
art 24-bit/192kHz A/D converter option,
from the factory or as a retrofit to exist-
ing units. With the A/D converter module
installed, the microphone preamplifier
section or the M+S matrix can be routed to
the A/D converter input directly for stan-
dard recording applications. Or, with the
additional analog line inputs on the A/D
converter module, the mic preamplifier and
A/D converter sections can be used sepa-
rately, which allows for external processing
to be inserted between the mic amp and
the A/D converter.
from the factory or as a retrofit to exist-
ing units. With the A/D converter module
installed, the microphone preamplifier
section or the M+S matrix can be routed to
the A/D converter input directly for stan-
dard recording applications. Or, with the
additional analog line inputs on the A/D
converter module, the mic preamplifier and
A/D converter sections can be used sepa-
rately, which allows for external processing
to be inserted between the mic amp and
the A/D converter.
External synchronization to word clock
or Digidesign LoopSync is available, and
features our proprietary dual stage PPL
with s-Lock for extremely low jitter and
rock solid digital stability without the use of
sample rate conversion.
features our proprietary dual stage PPL
with s-Lock for extremely low jitter and
rock solid digital stability without the use of
sample rate conversion.
Our exclusive ribbon mic mode is stan-
dard, which shifts the gain range up 10dB
while deactivating 48V phantom power,
bypassing the decoupling capacitors and
optimizing the input impedance. Each
channel has an ‘input mode’ rotary switch
which selects between a standard 48V
phantom input, ribbon mic mode, a front
while deactivating 48V phantom power,
bypassing the decoupling capacitors and
optimizing the input impedance. Each
channel has an ‘input mode’ rotary switch
which selects between a standard 48V
phantom input, ribbon mic mode, a front
panel DI input or optional DPA high voltage
inputs (130V or 190V).
inputs (130V or 190V).
Included is our newly designed M+S
(mid side) decoder circuitry with a built-in
width control. The front panel width con-
trol is wired with a precision 12 position
rotary switch which provides a ratio range
from 100% mid (mono) to 30% mid / 70%
side. The ultra-precision summing and dif-
ference amplifiers feed a set of dedicated
outputs, allowing simultaneous recording
of discrete mid+side signals as well as the
stereo matrix.
width control. The front panel width con-
trol is wired with a precision 12 position
rotary switch which provides a ratio range
from 100% mid (mono) to 30% mid / 70%
side. The ultra-precision summing and dif-
ference amplifiers feed a set of dedicated
outputs, allowing simultaneous recording
of discrete mid+side signals as well as the
stereo matrix.
The new front panel mounted HI-Z in-
puts are designed to accommodate a wide
variety of high impedance input sources,
making the m201 an excellent choice as
a DI box which will flawlessly preserve
the sound of any plugged-in instrument.
Imagine the same resolution and detail as
our microphone preamplifiers available for
DI recording situations.
variety of high impedance input sources,
making the m201 an excellent choice as
a DI box which will flawlessly preserve
the sound of any plugged-in instrument.
Imagine the same resolution and detail as
our microphone preamplifiers available for
DI recording situations.
Whatever the application, the remark-
able sonic performance and functionality
of the new m201 will help you make the
finest recordings of your career.
of the new m201 will help you make the
finest recordings of your career.
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