Manuais de utilizador para Alesis studio24

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• Important Safety Instructions

  5
• Safety symbols used in this product

  5
• Please follow these precautions when using this product:

  5
• Instructions de Sécurité Importantes (French)

  7
• Symboles utilisés dans ce produit

  7
• Veuillez suivre ces précautions lors de l’utilisation de l’appareil:

  7
• Sicherheitshinweise: (German)

  9
• CE Declaration of Conformity

  10
• Introduction

  11
• How to use this manual

  11
• For beginners

  11
• For the experienced: a quick overview

  13
• About the Studio 24

  15
• Basic Principles of Mixing & Multitrack Recording

  17
• The stages of multitrack recording

  18
• The different mixes and what they’re needed for

  20
• Multitrack Mix

  20
• Monitor (Control Room) Mix

  22
• Aux Sends and Returns: Effects

  24
• Guided Tour

  25
• Recorder Mix/Monitor Mix System

  25
• Starting at the source: input and trim

  25
• The equalizer

  26
• Fader and assignment section

  27
• Monitor 1/2 section

  28
• Aux Send/Return System

  29
• Aux sends

  29
• Stereo Aux Returns

  29
• Control Room System

  30
• Control Room source

  30
• Solo

  31
• Meters

  31
• Hooking It Up

  33
• Unpacking and Inspection

  33
• Power

  34
• Avoiding ground loop noise

  35
• Channel Inputs and Outputs

  36
• Mic Inputs

  36
• Line Inputs

  37
• Tape Inputs

  37
• Direct Outputs

  38
• Insert

  38
• Master Inputs and Outputs

  39
• Main Outputs

  39
• Main Inserts

  39
• Group Outputs

  39
• Group Inserts

  40
• Control Room Outputs

  40
• 2 Track Inputs

  40
• Stereo Aux Returns

  40
• MONITOR OUTS 1/2 and AUX SENDS 3/4

  40
• Headphones

  40
• Chart of Connections

  41
• Connecting to an Unbalanced -10 dBV Multitrack Recorder

  42
• Connecting to a 2-Track Mixdown Deck

  43
• Connecting to a Control Room amplifier

  44
• Connecting to a Headphone Amp

  44
• Connecting to a Patchbay

  44
• Effects and Signal Processing

  45
• Connecting Aux Sends and Returns to Outboard Effects

  45
• Should you use one or two inputs to effects?

  46
• Using Effects

  47
• Connecting Signal Processors to Insert Jacks

  49
• Multitrack Recording Applications

  51
• Recording

  51
• Setting Levels

  51
• How to Record a Single Source to One Track

  53
• Recording Multiple Sources to One Track

  54
• Recording Multiple Sources to Two Tracks (Stereo)

  55
• Recording Tips

  57
• About Metering

  57
• Overdubbing

  58
• Using MONITOR 1/2 to Monitor the Multitrack

  58
• Using the Channel Faders to Monitor the Multitrack

  59
• Getting the Mix to the Headphones

  61
• Monitoring MIDI Virtual Tracks

  62
• Bouncing Tracks

  63
• Playback/Mixdown

  65
• Getting the Mix to the 2-Track Deck

  65
• Mixdown Basics

  65
• Guidelines for a rough mix

  66
• Sound Reinforcement Applications

  69
• Creating a mono house mix

  69
• Subgrouping with the Group Faders

  69
• Stage Monitor Mix

  70
• Alternate uses for the Monitor 1/2 section: Stereo recording during a live concert

  71
• Using Monitor 1/2 to feed a cassette deck

  72
• Using Monitor 1/2 as the PA mix during multitrack recording

  73
• Video Production and Post-Production

  74
• Description of Controls

  75
• Channel Input Controls

  75
• Trim

  75
• Fader/Monitor Source switch:

  75
• CHAN/MON REVERSE

  75
• DIRECT OUT SOURCE switch

  76
• Equalizer section

  76
• 75 Hz switch

  76
• HIGH and LOW

  77
• MID EQ controls: LEVEL and FREQ

  78
• Auxiliary Send Section

  79
• AUX 3 and AUX 4 Sends

  79
• MONITOR 1/2 LEVEL and PAN (Channels 1 - 8)

  79
• MONITOR 1/2 LEVEL and BAL

  79
• (Stereo Channels 9 - 16)

  79
• Channel Output Section

  80
• Channel PAN (Channels 1 - 8)

  80
• Channel BALance (Stereo Channels)

  80
• MUTE

  80
• PEAK LED

  80
• -20 dB (Signal Present) LED

  81
• SOLO

  81
• Group Assign Switch: GRP

  81
• L/R Switch

  81
• Channel Fader

  82
• Stereo Aux Return Section (A and B)

  82
• MON 1/2

  82
• LEVEL

  82
• L/R Assign Switches

  82
• MASTER SECTION

  82
• Power and Phantom indicators

  82
• Headphone Level

  83
• Headphone jack

  83
• GRP Assign Switches

  83
• SOLO IN PLACE Switch

  83
• Monitor 1/2 Master

  83
• LINK TO L/R switch

  83
• Control Room/Solo Section

  85
• Solo Master Level

  85
• Control Room Level and Source

  85
• Meters

  86
• Master L/R Fader

  86
• Group Master Controls

  86
• LINK TO L/R switch

  86
• MONO switch

  87
• GRP 1 and 2 Master FADERS

  87
• L/R Master Fader

  87
• Top Panel Inputs and Outputs

  88
• Main Outs

  88
• Main Inserts

  88
• Back panel

  89
• POWER switch

  89
• Power cable

  89
• PHANTOM Switch

  89
• Control Room Outs L and R

  89
• 2 Track Tape In

  90
• Main Outs

  90
• GROUP OUTPUTS

  90
• STEREO AUX RETURNS

  90
• AUX SENDS

  90
• MON 1/2

  90
• Channel Input/Output Jacks (8)

  91
• Direct Out

  91
• Tape In

  91
• Insert jack

  91
• Line In jack (Channels 1 - 8)

  91
• Line In jacks (Stereo Channels)

  92
• Mic In jack (Channels 1 - 8 only)

  92
• Troubleshooting

  93
• Troubleshooting Index

  93
• Maintenance/Service

  94
• Specifications

  97
• Frequency Response

  97
• Connectors

  97
• Levels

  97
• Impedance

  98
• Noise performance (typical)

  98
• Distortion (THD+N)

  98
• Power

  98
• Dimensional Drawings:

  100
• Gain Diagram

  101
• Block Diagram

  102
• Index

  103