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This section explains the functions the different rhythm set 
parameters have, as well as the composition of these parameters.

fig.04-10a_50

You can assign a name of up to 12 characters to the rhythm set.

 space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] 

^ _ ` { | } 

→

 

←

The LFO cycle, multi-effects changes, Phrase Loop, and Tone Delay 
time can be synchronized to a clock (tempo). When this is used by 
the rhythm set, this Clock Source setting determines the clock which 
will be used.

 The Rhythm Set Tempo will be used.

 Synchronize to the clock of the Fantom’s sequencer 

or of an external sequencer.

For details on using clock (tempo), refer to (Q&A; p. 16).

When Rhythm Clock Source is set to “RHYTHM,” this setting value 
is effective.

The Rhythm Set Tempo Clock does not transmit clock messages 
from the MIDI OUT connector.

You can assign a name of up to 12 characters to the rhythm tone.

 space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] 

^ _ ` { | } 

→

 

←

For details on assigning names, refer to 

Assign Type sets the way sounds are played when the same key is 
pressed a number of times.

 Layer the sound of the same keys. Even with continuous 

sounds where the sound plays for an extended time, such as with 
crash cymbals, the sounds are layered, without previously played 
sounds being eliminated.

 Only one sound can be played at a time when the same key 

is pressed. With continuous sounds where the sound plays for an 
extended time, the previous sound is stopped when the following 
sound is played.

On an actual acoustic drum set, an open hi-hat and a closed hi-hat 
sound can never occur simultaneously. To reproduce the reality of 
this situation, you can set up a Mute Group.

The Mute Group function allows you to designate two or more 
rhythm tones that are not allowed to sound simultaneously. Up to 31 
Mute Groups can be used. rhythm tones that are not belong to any 
such group should be set to “OFF.”

 OFF, 1–31

When a loop waveform (p. 71) is selected, the sound will normally 
continue as long as the key is pressed. If you want the sound to 
decay naturally even if the key remains pressed, set this to “NO 
SUS.”

 NO SUS, SUST

If a one-shot type Wave (p. 71) is selected, it will not sustain even 
if this parameter is set to “SUST.”

Specifies the amount of pitch change in semitones (4 octaves) that 
will occur when the Pitch Bend Lever is moved. The amount of 
change when the lever is tilted is set to the same value for both left 
and right sides.

 0–48

For each rhythm tone, specify whether MIDI Expression messages 
will be received (ON), or not (OFF).

 OFF, ON