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116
Chapter 8 Parameters Guide FX (Effects)
MOD1, MOD2
For MOD1 and MOD2, you can choose one of the following effect
types. (If desired, you can select the same effect for both MOD1 and
MOD2.)
types. (If desired, you can select the same effect for both MOD1 and
MOD2.)
PHASER
By adding varied-phase portions to the direct sound, the phaser
effect gives a whooshing, swirling character to the sound.
effect gives a whooshing, swirling character to the sound.
MOD TYPE
MOD1
MOD2
Common
MOD2
Common
PHASER
Phaser
FLANGR
Flanger
TREML
Tremolo
PAN
Pan
PEDAL WAH
Pedal Wah
T.WAH
Touch Wah
AUTO WAH
Auto Wah
M-TRON III
M-TRON III
OCTAVE
Octave
PITCH SHIFT
Pitch Shifter
HARMONIST
Harmonist
PEDAL BEND
Pedal Bend
2x2 CHORUS
2x2 Chorus
ROTARY
Rotary
UNI-V
Uni-V
VIB
Vibrato
SLICER
Slicer
HUMANIZER
Humanizer
SLOW GEAR
Slow Gear
RING MOD
Ring Modulator
ANTI FB
Anti Feedback
ADV.COMP
Advanced Compressor
LIMITR
Limiter
ENHANCER
Enhancer
PEQ
Parametric Equalizer
GEQ
Graphic Equalizer
SUB DELAY
Sub Delay
Parameter/
Range
Range
Explanation
MOD1 SW, MOD2 SW
OFF, ON
Turns the MOD-1 (MOD-2) effect on/off.
MOD 1 TYPE, MOD 2 TYPE
see above
Selects the effect to be used.
Parameter/
Range
Range
Explanation
TYPE
Selects the number of stages that the phaser effect will use.
4STG
This is a four-phase effect. A light phaser ef-
fect is obtained.
fect is obtained.
8STG
This is an eight-phase effect. It is a popular
phaser effect.
phaser effect.
12STG
This is a twelve-phase effect. A deep phase
effect is obtained.
effect is obtained.
BI-PHS
This is the phaser with two phase shift cir-
cuits connected in series.
cuits connected in series.
RATE
0–100,
BPM
–BPM
This sets the rate of the phaser effect.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
time.
DEPTH
0–100
Determines the depth of the rotation effect.
MANUAL
0–100
Adjusts the center frequency of the rotation
effect.
effect.
RESO (Resonance)
0–100
Determines the amount of resonance (feed-
back).
Increasing the value will emphasize the ef-
fect, creating a more unusual sound.
back).
Increasing the value will emphasize the ef-
fect, creating a more unusual sound.
STEP RATE
OFF, 0–100,
BPM
–BPM
This sets the cycle of the step function that
changes the rotation. When it is set to a high-
er value, the change will be finer. Set this to
Off when not using the Step function.
changes the rotation. When it is set to a high-
er value, the change will be finer. Set this to
Off when not using the Step function.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
time.
EFFECT LEVEL
0–100
Adjusts the volume of the phaser.
DIRECT LEVEL
0–100
Adjusts the volume of the direct sound.
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