Справочник Пользователя для Samson 50a
8
ENGLISH
FROM MIXER'S
CONTROL ROOM
OUTPUTS
CONTROL ROOM
OUTPUTS
2T IN
2T OUT
2T TO MIX
CR
MIX
MONO OUT
C/ROOM
+PHONES
5
MIX/2T
RIGHT
RIGHT
AUX 2 OUT
LEFT
RIGHT
LEFT
RIGHT
MONO OUT
AUX 1 OUT
LEFT
LEFT
5
0
10
0
10
L
R
MIX
PHONES
CHANNEL 1
CHANNEL 2
CHANNEL 3
CHANNEL 4
CHANNEL 5/6
MIC/LINE 2
MIC/LINE 4
MIC/LINE 5/6
MIC/LINE 7/8
CHANNEL 7/8
R LINE IN
R LINE IN
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
5
15
5
0
0
15
10
10
5
5
15
LO CUT
PAN
L
R
AUX 1
MON
5
0
10
AUX 2
DSP
5
0
10
L
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
5
15
5
0
0
15
10
10
5
5
15
LO CUT
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
5
15
5
0
0
15
10
10
5
5
15
LO CUT
PAN
R
AUX 1
MON
5
0
10
AUX 2
DSP
5
0
10
PAN
L
R
AUX 1
MON
5
0
10
AUX 2
DSP
5
0
10
L
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
5
15
5
0
0
15
10
10
5
5
15
LO CUT
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
10
5
15
5
0
0
15
10
10
5
5
15
BAL
AUX 1
MON
AUX 2
DSP
HF
12K
MF
2.5K
15
10
10
5
15
5
0
LF
80Hz
0
15
10
10
5
15
5
BAL
L
R
AUX 1
MON
5
0
10
0
0
15
10
10
5
5
15
AUX 2
DSP
5
0
10
PAN
R
AUX 1
MON
5
0
10
AUX 2
DSP
5
0
10
L
R
5
0
10
5
0
10
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
10
5
0
10
5
20
30
40
40
15
15
15
DIGITAL EFFECTS
MASTER SECTION
MASTER SECTION
5
0
10
M A X I M U M D Y N A M I C R A N G E
30
5
-26
60
+26
GAIN
CLIP
30
5
-26
60
+26
GAIN
CLIP
30
5
-26
60
+26
GAIN
CLIP
30
5
-26
60
+26
GAIN
CLIP
REC
REC
REC
REC
REC
REC
MIC/LINE 1
MIC/LINE 3
DIGITAL EFFECTS
DSP
BIT
24
DSP TO MON
SELECT
POWER
+48V
PEAK
+6
0
-6
-12
-20
1 LARGE HALL
2 MEDIUM HALL
3 LARGE ROOM
4 VOCAL RM.
5 VOCAL RM. 2
6 CHORUS+REVERB
7 CHORUS+DELAY
8 STAIRWELL
2 MEDIUM HALL
3 LARGE ROOM
4 VOCAL RM.
5 VOCAL RM. 2
6 CHORUS+REVERB
7 CHORUS+DELAY
8 STAIRWELL
DSP
PEAK
AUX
RET 1
AUX/DSP
RET 2
5
0
10
5
5
0
10
5
0
10
1
2
3
6
7
5
4
8
HARD
DISK
MODE
VOLUME
0
10
+4 INPUT
-10 INPUT
POWER
ON
OFF
DESIGNED AND ENGINEERED IN THE UNITED STATES BY SAMSON TECHNOLOGIES
www.samsontech.com
CAUTION
S/N
RISK OF ELECTRIC SHOCK
DO NOT OPEN
115-230 vac ó 50Hz/60Hz 175W
POWER
RATING
RATING
MADE IN CHINA
ACTIVE MONITOR SPECS:
•
20Hz – 20kHz
• BIAMPED
50
WATT
WOOFER
COPOLYMER CONE
•
20 WATT TITANIUM FERRO FLUID
TWEETER
TWEETER
• TIME
ALIGNED
WAVEGUIDE
• MAGNETICALLY
SHIELDED
WARNING:
RESOLV MONITORS CAN ACHIEVE
EXTREMELY HIGH SOUND
PRESSURE LEVELS. USE CAUTION
OR HEARING DAMAGE MAY RESULT
RESOLV MONITORS CAN ACHIEVE
EXTREMELY HIGH SOUND
PRESSURE LEVELS. USE CAUTION
OR HEARING DAMAGE MAY RESULT
10
-50
-30
-15
0
30
50
100
1K
10K
30K
dBr
FREQUENCY RESPONSE
FREQUENCY (Hz)
10
-27
-21
-15
-9
0
5
100
1K
10K
30K
FREQUENCY (Hz)
CROSSOVER
dBr
VOLUME
0
10
+4 INPUT
-10 INPUT
POWER
ON
OFF
DESIGNED AND ENGINEERED IN THE UNITED STATES BY SAMSON TECHNOLOGIES
www.samsontech.com
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
115-230 vac ó 50Hz/60Hz 175W
POWER
RATING
RATING
MADE IN CHINA
ACTIVE MONITOR SPECS:
• 20Hz
–
20kHz
• BIAMPED
50
WATT
WOOFER
COPOLYMER CONE
•
20 WATT TITANIUM FERRO FLUID
TWEETER
TWEETER
• TIME
ALIGNED
WAVEGUIDE
• MAGNETICALLY
SHIELDED
WARNING:
RESOLV MONITORS CAN ACHIEVE
EXTREMELY HIGH SOUND
PRESSURE LEVELS. USE CAUTION
OR HEARING DAMAGE MAY RESULT
RESOLV MONITORS CAN ACHIEVE
EXTREMELY HIGH SOUND
PRESSURE LEVELS. USE CAUTION
OR HEARING DAMAGE MAY RESULT
10
-50
-30
-15
0
30
50
100
1K
10K
30K
dBr
FREQUENCY RESPONSE
FREQUENCY (Hz)
10
-27
-21
-15
-9
0
5
100
1K
10K
30K
FREQUENCY (Hz)
CROSSOVER
dBr
Connecting the RESOLV 50a
•
Lower your mixer’s master outputs to all the way off.
•
Connect the mixer’s left Control Room output to the left-side RESOLV 50a LINE INPUT and the mixer’s
right Control Room output to the right-side RESOLV 50a LINE INPUT.
right Control Room output to the right-side RESOLV 50a LINE INPUT.
•
Set the RESOLV 50a’s input Volume control to the 12 o’clock position.
•
Run an audio signal (like some music from a CD) through your mixer and raise the Control Room level to
a comfortable listening level.
a comfortable listening level.
RESOLV 50a Quick Connections
Note:
Before plugging in and turning on, remember the “LAST ON, FIRST OFF” rule of power amplifiers (and
powered monitors). When powering up your system, be sure that all the wires are connected, turn your mixer and
any other outboard gear on, and then turn your RESOLV 50a’s on last. When powering down, turn your
RESOLV 50a’s off first and then your mixer and outboard gear. This will prevent any turn-on or turn off “thumps”
from possibly damaging the speakers.
any other outboard gear on, and then turn your RESOLV 50a’s on last. When powering down, turn your
RESOLV 50a’s off first and then your mixer and outboard gear. This will prevent any turn-on or turn off “thumps”
from possibly damaging the speakers.
The RESOLV 50a connections can be made via one of the two rear panel Audio Inputs. You can use RCA input
for unbalanced, -10dBV level signals, or the 1/4-inch input for balanced +4dBu level signals. Follow the simple
steps and diagram below for a quick connection using a standard recording console’s Control Room outputs.
for unbalanced, -10dBV level signals, or the 1/4-inch input for balanced +4dBu level signals. Follow the simple
steps and diagram below for a quick connection using a standard recording console’s Control Room outputs.