Руководство Пользователя для Clavia lead 3
NORD LEAD 3 V1.2x
2. Overview: Nord Lead 3 block diagram
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N
N
N
N
O
O
O
OR
R
R
RD
D
D
D
L
L
L
L
E
E
E
EA
A
A
AD
D
D
D
3
3
3
3
B
B
B
BL
L
L
LO
O
O
OC
C
C
CK
K
K
K
D
D
D
DIIIIA
A
A
AG
G
G
GR
R
R
RA
A
A
AM
M
M
M
Below is a schematic overview of the sound and modulation building blocks and the signal flows in Nord
Lead 3. The filled lines indicate audio signal routings and the dashed lines control signal routings. The
diagram does not include the routing possibilities for the Morph Groups. The Morph function lets you
control up to 26 parameters from four separate control sources (4 x 26 parameters). There would be too
many lines in the diagram if all possible Morph routings were to be shown.
Lead 3. The filled lines indicate audio signal routings and the dashed lines control signal routings. The
diagram does not include the routing possibilities for the Morph Groups. The Morph function lets you
control up to 26 parameters from four separate control sources (4 x 26 parameters). There would be too
many lines in the diagram if all possible Morph routings were to be shown.
As you can see, Nord lead 3 offers vast control and modulation possibilities. Each of the building blocks
also has extensive possibilities for internal configurations. This is described in detail in
also has extensive possibilities for internal configurations. This is described in detail in
.
A
A
A
A
D
D
D
DV
V
V
VA
A
A
AN
N
N
NC
C
C
CE
E
E
ED
D
D
D
S
S
S
S
U
U
U
UB
B
B
BT
T
T
TR
R
R
RA
A
A
AC
C
C
CT
T
T
TIIIIV
V
V
VE
E
E
E
S
S
S
S
Y
Y
Y
YN
N
N
NT
T
T
TH
H
H
HE
E
E
ES
S
S
SIIIIS
S
S
S
Nord Lead 3 is the first “hard-wired” synthesizer to employ what Clavia call ‘Advanced Subtractive Syn-
thesis’. The philosophy behind Advanced Subtractive Synthesis is to offer a flexible sound engine that
features both traditional “subtractive” waveforms and powerful and extremely user-friendly FM synthesis.
Each oscillator offers six different shapable waveforms to choose among. These waveforms can also be
synched using the additional sync oscillator of each oscillator group. The big advantage of having an extra
sync oscillator is that you don’t need to sacrifice an audio oscillator just to sync another. In other words,
you will always have at least two audio oscillators per voice even when using oscillator sync! The FM mode
of the oscillators is called ‘Dual Sine FM’. In this mode each oscillator forms a 2-operator FM engine, for
a total of 4 operators per voice. The oscillator section also boosts a number of exciting modulation pos-
sibilities, including the new Distortion Modulation and Filter FM. No matter what mode the oscillators
are in, you are always able to route their signals through the high-quality multi filter for further shaping.
This is what we mean by Advanced Subtractive Synthesis.
thesis’. The philosophy behind Advanced Subtractive Synthesis is to offer a flexible sound engine that
features both traditional “subtractive” waveforms and powerful and extremely user-friendly FM synthesis.
Each oscillator offers six different shapable waveforms to choose among. These waveforms can also be
synched using the additional sync oscillator of each oscillator group. The big advantage of having an extra
sync oscillator is that you don’t need to sacrifice an audio oscillator just to sync another. In other words,
you will always have at least two audio oscillators per voice even when using oscillator sync! The FM mode
of the oscillators is called ‘Dual Sine FM’. In this mode each oscillator forms a 2-operator FM engine, for
a total of 4 operators per voice. The oscillator section also boosts a number of exciting modulation pos-
sibilities, including the new Distortion Modulation and Filter FM. No matter what mode the oscillators
are in, you are always able to route their signals through the high-quality multi filter for further shaping.
This is what we mean by Advanced Subtractive Synthesis.