Справочник Пользователя для Access virus os4
ACCESS VIRUS OS4
107
Menu parameters for Oscillator-2
KEY FOLLOW Determines the
intensity of the pitch control via
the keyboard: At the value +32
(standard setting) the oscillator is
controlled normally, i.e. the octave
you are playing is identical to the
oscillator octave; at +63 every
ascending octave you play trans-
poses the oscillator upwards by
two octaves (whole note scale); +15
transposes the oscillator upwards
by one octave for every two
ascending octaves you play (quar-
ter note scale); at 0 the keyboard
control option is off. Negative val-
ues generate opposite control
intensities.
intensity of the pitch control via
the keyboard: At the value +32
(standard setting) the oscillator is
controlled normally, i.e. the octave
you are playing is identical to the
oscillator octave; at +63 every
ascending octave you play trans-
poses the oscillator upwards by
two octaves (whole note scale); +15
transposes the oscillator upwards
by one octave for every two
ascending octaves you play (quar-
ter note scale); at 0 the keyboard
control option is off. Negative val-
ues generate opposite control
intensities.
01111111111111111112
1 OSCILLATOR 1
Keyfollow +32≤
Keyfollow +32≤
61111111111111111154
MENU PARAMETERS
FOR OSCILLATOR-2
WAVE and KEYFOLLOW: Same as
OSCILLATOR
OSCILLATOR
1; see paragraph
above.
FM MODE Oscillator 2’s frequency
modulation can be executed in a
variety of ways using a different
signal or modulation sources. You
can also select an external audio
signal for frequency modulation.
Set the intensity of the modulation
via the FM AMOUNT knob. Choose
the sine wave for Oscillator 2 in
order to achieve the most trans-
parent form of frequency modula-
tion. Here’s a look at the FM
sources that you have at your dis-
posal:
modulation can be executed in a
variety of ways using a different
signal or modulation sources. You
can also select an external audio
signal for frequency modulation.
Set the intensity of the modulation
via the FM AMOUNT knob. Choose
the sine wave for Oscillator 2 in
order to achieve the most trans-
parent form of frequency modula-
tion. Here’s a look at the FM
sources that you have at your dis-
posal:
01111111111111111112
1 OSCILLATOR 2
FmMode PosTri≤
FmMode PosTri≤
61111111111111111154
POSTRI One-way FM with a
positive triangle generated by
Osc1.
Osc1.