Справочник Пользователя для Access virus os4
ACCESS VIRUS OS4
239
SATURATION for Added Grit and Dirt
SATURATION FOR
ADDED GRIT AND DIRT
SATURATION and OSC VOL
In serial filter modes, the SATURA-
TION unit is located between the
filters. This configuration gives you
the option of first filtering the
oscillator signal in the conven-
tional manner, then distorting it,
and finally sending the distorted
signal to a second filter, where it
can be processed again as you see
fit.
TION unit is located between the
filters. This configuration gives you
the option of first filtering the
oscillator signal in the conven-
tional manner, then distorting it,
and finally sending the distorted
signal to a second filter, where it
can be processed again as you see
fit.
Next to serving as a volume con-
trol for the OSCILLATOR section, in
the right half of its control range,
the OSC VOL knob lets you control
the gain level of the distortion
module (SATURATION) within a
wide range of 12 decibels, , without
increasing the volume level. At 24
decibels, the control range of the
"Digital" SATURATION Curve is
even greater. The OSC VOL knob
retains its function as a volume
control in Input mode as well as in
Vocoder mode.
trol for the OSCILLATOR section, in
the right half of its control range,
the OSC VOL knob lets you control
the gain level of the distortion
module (SATURATION) within a
wide range of 12 decibels, , without
increasing the volume level. At 24
decibels, the control range of the
"Digital" SATURATION Curve is
even greater. The OSC VOL knob
retains its function as a volume
control in Input mode as well as in
Vocoder mode.
SATURATION Curve: Shaper
The Shaper’s saturation response
differs from that of the other SAT-
URATION Curves. Its characteristic
curve is a sine wave with several
cycles. The Shaper lets you radically
bend signals, whereby the results
are at times reminiscent of the
spectra of linear frequency modu-
lation. The response of the Shaper
depends largely on the input sig-
nal. This means that the Filter-1
settings have a profound impact
on the outcome. You should use
Filter-2 independently of Filter-1 in
order to further process the raw
output signal of the Shaper. As is
the case with the other SATURA-
TION Curves, the OSC VOL knob is
used to tweak the characteristics
that shape its timbre . In particular
in the case of the Shaper, this knob
influences the complexity of the
generated sound to a considerable
degree.
differs from that of the other SAT-
URATION Curves. Its characteristic
curve is a sine wave with several
cycles. The Shaper lets you radically
bend signals, whereby the results
are at times reminiscent of the
spectra of linear frequency modu-
lation. The response of the Shaper
depends largely on the input sig-
nal. This means that the Filter-1
settings have a profound impact
on the outcome. You should use
Filter-2 independently of Filter-1 in
order to further process the raw
output signal of the Shaper. As is
the case with the other SATURA-
TION Curves, the OSC VOL knob is
used to tweak the characteristics
that shape its timbre . In particular
in the case of the Shaper, this knob
influences the complexity of the
generated sound to a considerable
degree.