Справочник Пользователя для Carvin cm98st
STUDIO SET UP
2
1
2
1
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
HI
MID
LOW
+
0
-
-
-
-
+
3-5
4-6
1
2
PRE
POST
LO
CUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LO
CUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
Gold 7-pin XLR Cable
XLR
Mic
Input
TRS
Insert
XLR Cable
Insert Out
Insert In
0
-
30
+
6
THRESHOLD
RATIO
20
10
230
120
50
100
10
200
ATTACK
20
10
230
120
50
GATE
100
10
200
RELEASE
TH
3
6
BYPASS
INPUT
CLIP
OUTPUT
CLIP
CHANNEL 1
9
12
15
0
5
10
OUTPUT
GATE
0
-
30
+
6
THRESHOLD
RATIO
20
10
230
120
50
100
10
200
ATTACK
20
10
230
120
50
GATE
100
10
200
RELEASE
TH
3
6
BYPASS
INPUT
CLIP
OUTPUT
CLIP
CHANNEL 2
9
12
15
0
5
10
OUTPUT
GATE
PWR
ON
OFF
CGL200
-10db
Compressor
The illustration below shows the standard set up in a recording studio.
The shockmount should be set on a round or tripod base mic stand. The
CM98ST should always set in the shockmount to eliminate any noise or
vibrations from the floor or walls. The phantom power supply should be
connected to a 120 V AC outlet. Be sure the power supply is properly
grounded and never defeat the ground on the AC plug. The gold 7-pin
XLR mic cable should be connected to the MIC IN on the power supply
and then connected to the CM98ST mic. High quality XLR cables should
always be used for mixer connections such as Carvin’s XLR25. The OUTPUT
jack on the power supply will pass the mic’s signal to the MIC input on a
mixer. Always disable any phantom power that may be present on the
mixer as you will be using an external source for phantom power.
CM98ST should always set in the shockmount to eliminate any noise or
vibrations from the floor or walls. The phantom power supply should be
connected to a 120 V AC outlet. Be sure the power supply is properly
grounded and never defeat the ground on the AC plug. The gold 7-pin
XLR mic cable should be connected to the MIC IN on the power supply
and then connected to the CM98ST mic. High quality XLR cables should
always be used for mixer connections such as Carvin’s XLR25. The OUTPUT
jack on the power supply will pass the mic’s signal to the MIC input on a
mixer. Always disable any phantom power that may be present on the
mixer as you will be using an external source for phantom power.
Many professionals use a compressor/limiter when recording. They are
ideal for eliminating transient signals. Transients are those quick changes
in volume that can cause a performance to sound too loud in some areas.
A compressor/limiter will keep the signal at a constant volume while lim-
iting any peak signals. The result is a “hot” and constant signal that is
ideal for both vocal performances and recording. The illustration below
shows a typical set-up for inserting a compressor/limiter.
in volume that can cause a performance to sound too loud in some areas.
A compressor/limiter will keep the signal at a constant volume while lim-
iting any peak signals. The result is a “hot” and constant signal that is
ideal for both vocal performances and recording. The illustration below
shows a typical set-up for inserting a compressor/limiter.
With today’s high quality digital audio hardware, recording at home has
never been so easy and affordable! When recording to a digital or analog
format of any kind, be sure to achieve the strongest signal into your mixer
without clipping or distorting. This will give you the best signal to noise
ratio for professional sounding recordings.
format of any kind, be sure to achieve the strongest signal into your mixer
without clipping or distorting. This will give you the best signal to noise
ratio for professional sounding recordings.