Краткое Руководство По Установке для Behringer Ultragain Pro MIC2200
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ULTRAGAIN PRO MIC2200
Quick Start Guide
ULTRAGAIN PRO MIC2200 Controls
(EN)
Controls
Rear panel elements of the ULTRAGAIN PRO
(1) (4)
(2)
(5)
(7)
(3)
(6)
(8)
(11)
(12)
(14)
(9)
(13)
(10)
(15)
Control elements on the front panel
(16)
(17)
(19)
(18)
(1)
This +48 V switch activates the +48 V phantom
power circuit that uses the signal leads to supply
condenser microphones with the required
operating voltage.
power circuit that uses the signal leads to supply
condenser microphones with the required
operating voltage.
(2)
Use the MIC/LINE switch to toggle between
MIC and LINE modes. When the switch is pressed,
the unit works in MIC mode (now you can press
the +48 V switch if required; in LINE mode this
function is disabled).
MIC and LINE modes. When the switch is pressed,
the unit works in MIC mode (now you can press
the +48 V switch if required; in LINE mode this
function is disabled).
(3)
The MIC GAIN control is enabled in MIC
mode only and allows for applying gain from
10 to 60 dB to the input signal. In view of the
extremely high gain levels that can be applied,
you should verify that the gain control is properly
set before you power up the unit. In case of
doubt, set the control fully counter-clockwise,
and start from there slowly raising the gain.
High gain settings and the resulting levels can
damage subsequent devices.
mode only and allows for applying gain from
10 to 60 dB to the input signal. In view of the
extremely high gain levels that can be applied,
you should verify that the gain control is properly
set before you power up the unit. In case of
doubt, set the control fully counter-clockwise,
and start from there slowly raising the gain.
High gain settings and the resulting levels can
damage subsequent devices.
(4)
The CLIP LED signals that a level of at least
+18 dBu is present after the microphone amp
stage. With too high a level the CLIP LED warns
you to reduce the gain with the MIC GAIN control,
so as to avoid distortion caused by overloading.
During normal operation, the LED should not
light up at all.
+18 dBu is present after the microphone amp
stage. With too high a level the CLIP LED warns
you to reduce the gain with the MIC GAIN control,
so as to avoid distortion caused by overloading.
During normal operation, the LED should not
light up at all.
(5)
With the PHASE REV. switch the input signal
is reversed in phase by 180°. This function is
available both in MIC and LINE modes.
is reversed in phase by 180°. This function is
available both in MIC and LINE modes.
(6)
When the high-pass filter is switched on (LO CUT
switch pressed), the FREQUENCY control defines
the filter’s cut-off frequency. With a setting
range from 12 to 320 Hz the filter’s main task is to
eliminate bottom-end rumble noise, etc.
switch pressed), the FREQUENCY control defines
the filter’s cut-off frequency. With a setting
range from 12 to 320 Hz the filter’s main task is to
eliminate bottom-end rumble noise, etc.
(7)
The LO CUT switch activates/deactivates the
high-pass filter.
high-pass filter.
(8)
The FREQUENCY control is used to select the
frequency to be modified. Please note that the
frequency range can be lowered/raised with
the switches x0.1 and x10. In this way, you
can process the entire audio range between
10 Hz and 20 kHz. With both switches out,
the FREQUENCY control can be swept over a
range from 100 Hz to 2 kHz.
frequency to be modified. Please note that the
frequency range can be lowered/raised with
the switches x0.1 and x10. In this way, you
can process the entire audio range between
10 Hz and 20 kHz. With both switches out,
the FREQUENCY control can be swept over a
range from 100 Hz to 2 kHz.
(9)
The x0.1 switch lowers the working range of the
FREQUENCY control to 10 - 200 Hz, so that you
can process the bass end of the audio spectrum.
FREQUENCY control to 10 - 200 Hz, so that you
can process the bass end of the audio spectrum.
(10)
The x10 switch raises the working range of the
FREQUENCY control to 1 - 20 kHz, so that you can
process the treble end of the audio spectrum.
FREQUENCY control to 1 - 20 kHz, so that you can
process the treble end of the audio spectrum.
(11)
The BANDWIDTH control determines the slope
or quality of the filter. Bandwidth ranges from
0.03 (Q = 43) to 2 octaves (Q = 0,67).
or quality of the filter. Bandwidth ranges from
0.03 (Q = 43) to 2 octaves (Q = 0,67).
(12)
With the LEVEL control you can set the amount
of level reduction/gain applied to the filter.
The setting range is from -15 to +15 dB.
of level reduction/gain applied to the filter.
The setting range is from -15 to +15 dB.
(13)
The EQ IN/OUT switch activates/deactivates the
parametric EQ. Please switch the EQ off unless
you need it for your specific audio application.
parametric EQ. Please switch the EQ off unless
you need it for your specific audio application.
(14)
The OUTPUT control raises/lowers the output
level of the device by a maximum of 20 dB
(±20 dB). With the control in mid-travel position,
no level change is applied. Available both in MIC
and LINE modes.
level of the device by a maximum of 20 dB
(±20 dB). With the control in mid-travel position,
no level change is applied. Available both in MIC
and LINE modes.
(15)
The OUTPUT LEVEL LED chain displays the
output level within a range from -30 to +18 dB.
The display is referenced to a level of +4 dBu.
output level within a range from -30 to +18 dB.
The display is referenced to a level of +4 dBu.
(16)
FUSE HOLDER / VOLTAGE SELECTOR.
(17)
MAINS CONNECTION. Use the enclosed
power cord to connect the unit to the mains.
Please also note the instructions given in the
“Installation” chapter.
power cord to connect the unit to the mains.
Please also note the instructions given in the
“Installation” chapter.
(18)
AUDIO IN. These are the audio inputs of your
ULTRAGAIN PRO. The XLR connector is the
common mic/line input. The line input is based
on jack connection.
ULTRAGAIN PRO. The XLR connector is the
common mic/line input. The line input is based
on jack connection.
(19)
AUDIO OUT. These are the audio outputs of your
ULTRAGAIN PRO. Matching phone jack and XLR
connectors are wired in parallel.
ULTRAGAIN PRO. Matching phone jack and XLR
connectors are wired in parallel.
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