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Or, if you prefer the old-school 
approach to variable bandwidth, we’ve 
included 10-band parametrics that can be 
fine-tuned in increments down to 1/60 of 
an octave.
Dynamically-activated EQ
Dynamic EQ automatically raises or 
lowers a defined frequency range based 
on volume level. It’s literally a 
combination of an equalizer (with 
frequency center and bandwidth controls) 
and a dynamics processor (with ATTACK, 
RELEASE, THRESHOLD and RATIO 
parameters).
DEQ opens up a world of both creative 
mastering and PA problem solving 
possibilities. We’ve given you total control 
with multiple filter types including 
bandpass mode. And of course you can 
store DEQ settings for recall at any time 
manually or via MIDI.
Feedback Destroyer with
Learning Mode
With the digital capabilities we’ve just 
listed, it’s easy to see why we were able 
to include a highly-effective Feedback 
Destroyer (FBD) feature — it’s essentially a 
dynamically-activated parametric EQ that 
“watches” the whole frequency spectrum 
in 1/60-octave bands and then instantly 
identifies and notches out feedback.
FBD can be run in AUTO mode 
to compensate for movements of 
performers on stage, or in SNGLE mode 
that locks onto individual frequencies and 
then varies the amount of attenuation 
and bandwidth depending on feedback 
stimulus — more suited to fixed 
microphone installations.
We also included a LEARN mode that 
generates short audio pulses, raises their 
gain until feedback occurs and then 
locks into potential trouble-causing 
band centers.
Stereo Imager (WIDTH).
While usually considered a mastering  
technique, the ability to widen the stereo  
image can be useful in live sound work, 
too. When you hear it in action, we think 
you and your audience will be impressed.
Continued on next page
Ultra-high resolution 24-bit/96 kHz 
A/D- and D/A converters 
(113 dB dynamic range)
Open architecture allowing future 
software updates via MIDI
2 high-performance 32/40-bit 
floating-point DSPs for ultimate  
sonic resolution
Balanced inputs and servo-balanced 
outputs with gold-plated XLR 
connectors, stereo aux 
output, AES/EBU and S/PDIF inputs 
and outputs (XLR and optical)
Internal switch-mode power 
supply for maximum flexibility 
(100 - 240 V~), noise-free audio, 
superior transient response and 
lowest possible power consumption
High-quality components and 
exceptionally rugged construction 
ensure long life
Conceived and designed by 
BEHRINGER Germany
EUROPOWER
EP4000
L
Insert
In
Out
DEQ2496
EUROLIVE 
B1520 PRO
Output Left
XENYX 2222USB
R
Output Right
ULTRA-CURVE PRO
DEQ2496