Инструкции для Behringer MDX2200

Содержание

• 1. INTRODUCTION

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• 1.1 Before you begin

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• 1.2 Design concept

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• 1.2.1 High quality components and design

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• 1.2.2 Failsafe relays

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• 1.2.3 Balanced inputs and outputs

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• 1.2.4 Transformer balanced outputs (optional)

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• 2. CONTROL ELEMENTS

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• Expander/gate section

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• Compressor section

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• Peak limiter section

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• Rear panel control elements of the COMPOSER PRO

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• 3. TECHNICAL BACKGROUND

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• Noise as a physical phenomenon

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• What are audio dynamics?

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• Compressors/limiters

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• Expanders/noise-gates

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• 4. APPLICATIONS

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• 4.1 Compression/levelling/limiting/clipping

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• 4.2 Expander/gate section

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• 4.2.1 Controlling leakage in the studio

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• 4.2.2 Initial settings for the expander/gate section

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• 4.2.3 Reducing leakage in stage mics

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• 4.2.4 Reducing feedback in stage mics

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• 4.2.5 Noise reduction on effects paths

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• 4.2.6 Creative use of the expander/gate section

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• 4.3 Compressor section

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• 4.3.1 Initial settings for the compressor section

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• 4.3.2 The COMPOSER PRO as a sound effects unit

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• 4.3.3 The “muffling” effect of a compressor

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• 4.4 Peak limiter section

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• 4.4.1 Initial settings for the peak limiter section

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• 5. SPECIAL APPLICATIONS

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• 5.1 Using the COMPOSER PRO for recording and cassette duplication

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• 5.1.1 The COMPOSER PRO in digital recording and sampling

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• 5.1.2 The COMPOSER PRO in mastering

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• 5.2 The COMPOSER PRO as a protective device

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• 5.2.1 Protection of a system with a passive crossover

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• 5.2.2 Protection of a system with an active crossover

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• 5.2.3 Improving the sound of a processor system

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• 5.3 The COMPOSER PRO in broadcast

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• 6. EXTERNAL SIDE CHAIN APPLICATIONS

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• 6.1 The side chain function

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• 6.2 Using an equalizer in the side chain path

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• 6.2.1 The COMPOSER PRO as a “de-esser”

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• 6.2.2 Frequency-selective filtering of unwanted signals

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• 6.2.3 Suppressing instruments during recording

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• 6.2.4 Emphasizing musical instruments during recording

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• 6.3 Anticipated compression

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• 6.4 “Voice-over” compression (“ducking”)

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• 6.5 Triggering additional sounds from a rhythm track

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• 7. INSTALLATION

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• 7.1 Rack mounting

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• 7.2 Audio connections

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• 7.3 Selecting the operating level

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• 8. SPECIFICATIONS

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• 9. WARRANTY

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