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Chapter 9 Creating Music Styles
 
Chapter 9
 
If you want to hear the muted-out Part, touch <Mute> 
again.
 
* To mute out a Division that changes after a few seconds (intro, 
ending, or fill-in), touch <Mute> immediately after switching 
to the Division.
 
 
Editing the Volume and Effect Settings for 
Each Part
Displaying the Part settings screen
 
1.
 
At the Style Composer screen, touch <Part>.
 
A screen like the one shown below appears.
 
fig.d-scomp-part.eps_50
 
Modifying the Settings of Each Part
 
2.
 
Touch the <Part> 
 to select the part with 
the settings to be changed.
 
The part name and Tone name are indicated in the upper 
part of the screen.
 
3.
 
Touch 
 for each parameter to change the value.
 
You can also change the values by touching each 
parameter name and then using the dial. 
You can change the Tone for the selected Part by 
pressing a Tone button to change the Tone while this 
screen is displayed. When selecting Rhythm Part, you 
can touch <Drum Set> to select the drum set or effect 
sound.
 
Finishing the Settings
 
4.
 
Press the [Exit] button.
 
The Style Composer screen appears.
 
 
Creating a Style from a Song 
You Composed Yourself 
(Style Converter)
 
You can take a song you’ve composed yourself and extract 
the portions you need to create your own original Style. 
When you’re composing a song, there’s no need to specify all 
the chords. You can specify some of the chords, and the KR 
automatically chooses the other chords and arranges the 
style. This function is called the “Style Converter.”
Style Converter features an “Auto mode” that allows you to 
easily create Styles from songs with a single chord, and a 
“Manual mode,” in which you create Styles from songs with 
three kinds of chords–major, minor, and seventh chords.
When creating a song in order to create an music style, it’s 
good practice to consider the arrangement of the music style.
 
Style Arrangements
 
Music Styles created with the Style Converter function are 
composed of eight parts: “Rhythm,” 
“Bass,”“Accompaniment 1,“”Accompaniment 2,” 
“Accompaniment 3,””Accompaniment 4,“”Accompaniment 
5,” “Accompaniment 6.”
A song progresses in predictable a sequence, such as intro, 
melody A, melody B, bridge and ending.
With the KR, such changes in songs are allocated to the 
following six performance states. We call these six parts of a 
song “Divisions.”
You can make a song more lively or more restrained by 
increasing or reducing played parts by Divisions. You can 
also modify a song by changing the Tone of the parts in the 
Divisions.
 
Display
Explanation
Volume
 
Adjusts the volume.
 
Reverb
 
Adjusts the amount of reverb effect applied 
to the sound.
 
Chorus
 
Adjusts the amount of chorus effect applied 
to the sound.
 
Panpot
 
Changes the left-right direction from which 
the sound appears to come. 
When you touch 
, the sound moves to 
the right; touch 
 to move the sound to 
the left.
 
Division
Performance division
Intro
 
The intro is played at the start of a song.
 
Ending
 
This is played at the end of a song.
 
Original
 
This is a basic accompaniment pattern.
 
Variation
 
This is a developmental accompaniment 
pattern. It is a variation on an Original.
 
Fill-In To 
Variation
 
This is a one-measure phrase inserted at a 
juncture where the mood changes. It is used 
to make a song more lively.
 
Fill-In To 
Original
 
This is a one-measure phrase inserted at a 
juncture where the mood changes. It is used 
to make a song more sedate.
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