Roland V-Synth 用户手册

A comp/limiter, enhancer, 3-band equalizer, and noise suppressor 
are connected in series.

Comp/Limiter is able to use as a compressor, which controls 
inconsistencies in sound levels by suppressing high sound levels 
while lifting weaker signals, or as a limiter that prevents the signal 
from reaching exceedingly high levels.

Enhancer regulates the high-end overtones, clarifying the sound and 
the sound contour.

3-Band Equalizer works in three frequency ranges: Low, Mid, and 
High. You can set the frequencies and boost or cut the level.

Noise Suppressor leaves the original sound unmodified, but mutes 
only the noise during the silent intervals.

fig.MFX-09

This virtual tape echo gives you real tape delay sound. This 
simulates the tape echo part of Roland’s RE-201 Space Echo.

fig.MFX-10

Comp Sw

OFF, ON

Turns the comp/limiter on/off.

Comp Thresh-
old #1

-60–0 dB

Sets the volume level at which 
the compression begins.

Comp Attack

0–127

Sets the time after the sound vol-
ume is crossed the compressor 
threshold until compression be-
gins.

Comp Release

0–127

Specifies the time from when the 
volume drops below the com-
pressor threshold until com-
pression is no longer applied.

Comp Ratio

1.5:1, 2:1, 4:1, 
100:1

Sets the “source sound:output 
sound” compression ratio.

Comp Gain

-60– +12 dB

Output gain

Enhan Sw

OFF, ON

Turns the enhancer on/off.

Enhan Sens

0–127

Sensitivity of the enhancer

Enhan Frequen-
cy

0–127

Sets the lower limit of the fre-
quencies to which the enhance-
ment effect is added.

Enhan Mix Lev-
el

0–127

Level of the overtones generated 
by the enhancer

Enhan Level

0–127

Volume of the enhancer sound

EQ Low Freq

50–4000 Hz

Frequency of the low range

EQ Low Gain

-15– +15 dB

Gain of the low range

EQ Mid Freq

50–20000 Hz

Frequency of the middle range

EQ Mid Q

0.5, 0.7, 1.0, 2.0, 
4.0, 8.0

Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.

EQ Mid Gain

-15– +15 dB

Gain of the middle range

EQ Hi Freq

2000–20000 Hz

Frequency of the high range

EQ Hi Gain

-15– +15 dB

Gain of the high range

NS Sw

OFF, ON

Turns the noise suppressor on/
off.

NS Threshold 
#2

0–127

Adjusts the level at which the 
noise suppressor will begin to 
take effect.

L

R

Comp/
Limiter

3-Band

EQ

Noise

Suppressor

Enhancer

NS Release

0–127

Sets the transition time from 
when the noise suppression 
starts to the point where the vol-
ume reaches 0.

Mode

S, M, L, S+M, 
S+L, M+L, 
S+M+L

Sets the combination of play-
back heads to be used.
The RE-201 had three playback 
heads to make different delay 
times (Short, Medium, and Long 
delay) at once. For example, to 
use the short and middle heads, 
select S+M.

Repeat Rate #1

0–127

Sets the tape speed.
This corresponds to the delay 
time in a contemporary delay ef-
fect.

Intensity #2

0–127

Sets the repeat times of the de-
layed sound.
This is analogous to a contempo-
rary delay’s feedback setting.

Bass

-100– +100

These are the echo sound’s bass 
and treble adjustments.
When set to 0, they make no 
change to the sound.

Treble

Head S Pan

L63–63R

These are the pan (left-right) set-
tings for each of the heads for 
Short, Medium, and Long delay 
time.

Head M Pan
Head L Pan

Tape Distortion 0–5

Adds the distortion characteris-
tic of tape.
The distortion gets more intense 
as the value is increased.

W/F Rate

0–127

Frequency of the wow and flut-
ter modulation
The wavering of multiple pitch-
es that appears from tape wear 
and irregularities in rotation is 
called wow and flutter.

W/F Depth

0–127

Modulation depth of the wow 
and flutter

Echo Level

0–127

Volume of the echo sound.

L

R

Tape Echo