Roland KR107 用户手册
118
Chapter 7 Creating and Editing Songs
Chapter 7
2.
Touch <Rec Mode>.
A “Rec Mode screen” like the following appears.
fig.d-recmode.eps_50
3.
Touch <Rec Mode>
to select the recording
mode.
4.
Press the [Exit] button.
Returns to the Menu screen.
■
Recording While Erasing the
Previous Recording
(Replace Recording)
Previous Recording
(Replace Recording)
The recording process where previous material is erased as
new material is recorded is called “replace recording.” This
setting is in effect when you turn on the power.
new material is recorded is called “replace recording.” This
setting is in effect when you turn on the power.
1.
Press the [Exit] button to return to the Menu screen.
The KR is set to the replace recording mode.
Record the performance using the procedures described
in Chapter 4 (p. 90), “Multitrack Recording with 16 Parts
(16-Track Sequencer)” (p. 114).
in Chapter 4 (p. 90), “Multitrack Recording with 16 Parts
(16-Track Sequencer)” (p. 114).
■
Layering a Recording Over
Previously Recorded Sounds
(Mix Recording)
Previously Recorded Sounds
(Mix Recording)
You can record a performance layered over a previously
recorded performance. This method is called “Mix
Recording.”
recorded performance. This method is called “Mix
Recording.”
1.
In the “Rec Mode screen,” select <Mix>.
Press the [Exit] button to return to the Menu screen.
The KR is set to the mix recording mode.
Record the performance using the procedures described
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 96), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114), or other
methods.
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 96), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 114), or other
methods.
* After you have finished with mix recording, return to the
usual replace recording mode.
■
Repeated Recording at the
Same Location (Loop Recording)
Same Location (Loop Recording)
You can record a specified passage over and over, layering
sounds with each pass. This method is called “Loop
Recording.” This is handy when recording a Rhythm Part.
sounds with each pass. This method is called “Loop
Recording.” This is handy when recording a Rhythm Part.
For example, use this method to make a Loop Recording of a
four-measure segment. First record the bass drum, the snare
drum next, then the hi-hat and so on, layering a different
instrument onto the same four measures. After you have
finished recording the four-measure rhythm pattern, you can
then use the procedure in “Copying Measures (Copy)” (p.
123) to create as many copies of the four measures as you
need to complete your Rhythm part.
four-measure segment. First record the bass drum, the snare
drum next, then the hi-hat and so on, layering a different
instrument onto the same four measures. After you have
finished recording the four-measure rhythm pattern, you can
then use the procedure in “Copying Measures (Copy)” (p.
123) to create as many copies of the four measures as you
need to complete your Rhythm part.
1.
Place A and B markers at the beginning and end of the
passage you want to record.
If you haven’t recorded anything yet, then use “Blank
Recording” to create the necessary number of measures
before placing the markers.
Recording” to create the necessary number of measures
before placing the markers.
Display
Recording Method
Replace
Replace Recording
Mix
Mix Recording
Loop
Loop Recording
Auto Punch-
In/Out
In/Out
Punch-in recording of the interval
between set markers.
between set markers.
Manual
Punch-In/Out
Punch-In/Out
Punch-in recording starting from the
point at which the pedal, the
Performance Pad or the [
point at which the pedal, the
Performance Pad or the [
(Rec)]
Tempo
You can add tempo changes to a
recorded composition. See p. 128.
recorded composition. See p. 128.
KR107_e.book 118 ページ ２００５年８月３日 水曜日 午前９時３６分