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34
Chapter 5. Changing Various Settings
 
 
Changing the Temperament
 
You can play classical styles such as Baroque using historic 
temperaments (tuning methods).
Today, compositions are generally created with equal 
temperament in mind and are played using equal 
temperament. However in past ages of classical music, a 
variety of temperaments were used. Playing a composition 
with its original tuning lets you enjoy the sonorities of the 
chords that the composer originally intended.
 
1.
 
Hold down the [SPLIT] button, and press the [TWIN 
PIANO] button.
 
The MP-70 switches to the function mode.
 
2.
 
Press the [E.PIANO] button.
 
The following appears in the display.
 
fig.disp-temp.j
 
You can choose from among the seven temperaments 
described below.
 
Power-up default setting
 
1 C
 
Tonic
 
When playing with tuning other than equal temperament, 
you need to specify the tonic note for tuning the song to be 
performed (that is, the note that corresponds to C for a major 
key or to A for a minor key).
While hold down 
 
the [E. PIANO] button
 
, and press 
 
a note
 
 
to specify the desired tonic key.
The tonic note you specify will be displayed as follows.
 
fig.Chart_note2.j
 
If you choose an equal temperament, there’s no need to select 
a tonic note.
 
* If you record with a temperament other than equal 
temperament selected, and then want to play back that 
performance, use this setting to select the same temperament 
for playback as the temperament you used when recording. 
* When performing in ensemble with other instruments, be 
aware that depending on the key, there may be some shifting of 
the pitch. Tune the MP-70 to the fundamental pitch of the 
other instruments.
 
 
Setting the Tuning Curve 
(Stretch Tuning)
 
A piano is generally tuned to a pitch with a lower bass range 
and a higher treble range than equal temperament. This 
special tuning method for pianos is called “Stretch Tuning.”
 
1.
 
Hold down the [SPLIT] button, and press the [TWIN 
PIANO] button.
 
The MP-70 switches to the function mode.
 
2.
 
Press the [HARPSICHORD] button.
 
The button’s indicator flashes.
The following appears in the display.
 
fig.disp-On
 
Power-up default setting
 
On
 
* This effect works only with the piano tones.
 
Dis-
play
Temperament
Qualities
1
 
Equal
In this tuning, each octave is divided into 
twelve equal steps. Every interval 
produces about the same amount of 
slight dissonance.
 
2
 
Pythagorean
This tuning, devised by the philosopher 
Pythagoras, eliminates dissonance in 
fourths and fifths. Dissonance is 
produced by third-interval chords, but 
melodies are euphonious.
 
3
 
Just Major
This tuning eliminates ambiguities in the 
fifths and thirds. It is unsuited to playing 
melodies and cannot be transposed, but 
is capable of beautiful sonorities.
 
4
 
Just Minor
The Just tunings differ from major and 
minor keys. You can get the same effect 
with the minor scale as with the major 
scale.
 
5
 
Mean Tone
This scale makes some compromises in 
just intonation, enabling transposition to 
other keys.
 
6
 
Werckmeister
This temperament combines the Mean 
Tone and Pythagorean tunings. 
Performances are possible in all keys 
(first technique, III).
 
7
 
Kirnberger
This is an improvement of the Mean 
Tone and Just tunings that provides a 
high degree of freedom of modulation. 
Performances are possible in all keys 
(III).
Temperament
Tonic
 
Display
Descriptions
OFF
 
This is the standard tuning curve. This is the right choice 
when using Dual play (p. 19), or when playing in 
ensemble with other instruments.
 
On
 
This tuning curve expands the bass and treble ends 
somewhat. It is suitable for performances such as piano 
solos. This setting is in effect when you turn on the 
power.
C     C       d     E_     E      F     F       G     A_    A     b_     b 
C     C      D     E       E      F     F      
 
G     A      
 
A     B      
 
B
Display
Letter
name
MP-70_e.book 34 ページ 2006年3月29日 水曜日 午後4時17分