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Chapter 9. Using the D Beam
TRIGGER
As an alternative to striking the pad itself, you can use the D Beam controller to play a specified pad.
SYNTH
This lets you use the D Beam to control the pitch of a built-in monophonic synthesizer.
D Beam Setting Parameters
Parameter
Value
Explanation
Pad Number
1–16
Specifies the pad number that will be played by the D Beam controller.
Pad Velocity
1–127
Specifies the loudness of the pad sound played by the D Beam controller.
Trig Mode
MOMENTARY,
LATCH
Specifies what will happen when you place your hand above the D Beam.
MOMENTARY
: The pad sound will be on only while your hand stays above the
D Beam; it will turn off when you take your hand away.
LATCH
:
The pad sound will alternately turn on/off each time you place
your hand above the D Beam.
your hand above the D Beam.
Parameter
Value
Explanation
Send Select
DRY, MFX
Specifies whether an effect will be applied.
DRY
: The synth sound will not be sent to the effect.
MFX
: The synth sound will be sent to the effect.
Pitch Low
0–127
Specifies the lower pitch limit for the D Beam controller.
Pitch High
0–127
Specifies the upper pitch limit for the D Beam controller.
Scale
CHROMATIC,
TCHEREPINS,
SPANISH,
BLUES MIXO,
COMB DIM,
MAJOR,
MINOR,
HARMONIC MAJ,
HARMONIC MIN,
DBL HARMONIC,
MELO MIN,
GYPSY,
DOMINANT,
HEX,
HEX BLUE,
AUGMENT,
RYUKYU,
INSEN DEC,
INSEN ASC,
PENTA,
PENTA MIN
TCHEREPINS,
SPANISH,
BLUES MIXO,
COMB DIM,
MAJOR,
MINOR,
HARMONIC MAJ,
HARMONIC MIN,
DBL HARMONIC,
MELO MIN,
GYPSY,
DOMINANT,
HEX,
HEX BLUE,
AUGMENT,
RYUKYU,
INSEN DEC,
INSEN ASC,
PENTA,
PENTA MIN
Specifies the scale that will be used. Moving your hand closer to the D Beam
controller will produce higher pitches. Choose one of the following 21 scales.
controller will produce higher pitches. Choose one of the following 21 scales.
CHROMATIC
:
Chromatic Scale
TCHEREPINS
:
Tcherepnin's Scale
SPANISH
:
Spanish Scale
BLUES MIXO
:
Blues Mixolydian Scale
COMB DIM:
Combination of Diminished Scale
MAJOR
:
Diatonic Major Scale
MINOR
:
Natural Minor Scale
HARMONIC MAJ
: Harmonic Major Scale
HARMONIC MIN
: Harmonic Minor Scale
DBL HARMONIC
: Double Harmonic Scale
MELO MIN
:
Melodic Minor Scale
GYPSY
:
Gypsy Scale
DOMINANT
:
Dominant Scale
HEX
:
Whole Tone Scale
HEX BLUE
:
Hexatonic Blue Scale
AUGMENT
:
Augmented Scale
RYUKYU
:
Ryukyu Scale
INSEN DEC
:
In Sen Scale, Decending
INSEN ASC
:
In Sen Scale, Ascending
PENTA
:
Major Pentatonic Scale
PENTA MIN
:
Minor Pentatonic Scale
Level
0–127
Specifies the volume of the synth sound.
Osc Wave
SAW, TRI, PLS,
NOISE
NOISE
Selects the waveform of the oscillator that generates the sound.
SAW
(
sawtooth wave
): A thick sound rich in overtones.
TRI
(triangle wave): A mild sound with fewer overtones.
PLS
(pulse wave): The sound will be affected by the following two settings
(“PWM Depth” and “PWM Duty”).
NOISE
: Noise.
PWM Depth
0–127
Depth specifies the depth to which the LFO will modulate the pulse width of
the pulse wave. This creates a distinctive cyclic tonal change. Higher settings
produce a deeper effect.
the pulse wave. This creates a distinctive cyclic tonal change. Higher settings
produce a deeper effect.
PWM Duty
0–127
Specifies the width of the pulse. Higher settings produce a narrower pulse
width.
width.
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