Roland RD-700SX 用户手册

 

The RD-700SX’s Chorus effect unit can also be used as a stereo delay 
unit.

 

Neither Chorus or Delay is used.

 

 

 

fig.MFX-note2e

 

Filter Type

OFF, LPF, 
HPF

Type of filter

 

: no filter is used

 

: cuts the frequency range above the 

Cutoff Freq

 

: cuts the frequency range below 

the Cutoff Freq

Cutoff Freq

200–8000 Hz

Basic frequency of the filter

Pre Delay

0.0–100.0 ms

Adjusts the delay time from the direct 
sound until the chorus sound is heard.

Rate Mode

Hz, note

When this is set to “note,” the effect is 
synchronized with the tempo.

Rate (Hz)

0.05–10.00 
Hz

Frequency of modulation (Hz)

Rate (

)

note (*)

Frequency of modulation (note)

Depth

0–127

Depth of modulation

Phase

0–180 deg

Spatial spread of the sound

Feedback

0–127

Adjusts the amount of the chorus sound 
that is fed back into the effect.

 

Delay L Mode

ms, note

When this is set to “note,” the effect is 
synchronized with the tempo.

Delay L (ms)

0–1000 ms

Adjusts the time until the delay sound is 
heard. (Hz)

Delay L (

)

note (*)

Adjusts the time until the delay sound is 
heard. (note)

Delay R Mode

ms, note

Settings of the Delay R
The parameters are the same as for the 
Delay L.

Delay R (ms)

0–1000 ms

Delay R (

)

note (*)

Delay C Mode

ms, note

Settings of the Delay C
The parameters are the same as for the 
Delay L.

Delay C (ms)

0–1000 ms

Delay C (

)

note (*)

Center Feedbak -98–+98 %

Adjusts the proportion of the delay sound 
that is fed back into the effect. Negative (-) 
settings will invert the phase.

HF Damp

200–8000 
Hz, 
BYPASS

Adjusts the frequency above which sound 
fed back to the effect will be cut. If you do 
not want to cut the high frequencies, set 
this parameter to BYPASS.

Left Level

0–127

Volume of each delay sound

Right Level

0–127

Volume of each delay sound

Center Level

0–127

Volume of each delay sound

 

Pre-LPF

0–7

Cuts the high frequency range of the 
sound coming into the chorus.
Higher values will cut more of the high 
frequencies.

Level

0–127

Volume of the chorus sound

Feedback

0–127

Adjusts the amount of the chorus sound 
that is fed back into the effect.

Delay

0–127

Adjusts the delay time from the direct 
sound until the chorus sound is heard.

Rate

0–127

Frequency of modulation

Depth

0–127

Depth of modulation

Send To 
Reverb

0–127

Adjusts the amount of chorus sound that 
will be sent to the reverb.

(Double note)

(Dotted whole note),

(Dotted half note),

(Dotted thirty-second note),

(Whole note),

(Double-note triplet),

(Sixteenth-note triplet),

(Thirty-second note),

(Sixty-fourth-note triplet),

(Sixty-fourth note),

(Thirty-second-note triplet),

(Dotted eighth note),

(Quarter-note triplet),

(Eighth note),

(Half-note triplet),

(Quarter note),

(Dotted quarter note),

(Whole-note triplet),

(Half note),

(Sixteenth note),

(Eighth-note triplet),

(Dotted sixteenth note),

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