Roland BR-900CD 用户手册
98
Insert Effect Parameter Functions
Pitch Shifter
This effect changes the pitch of the original sound (up or down)
within a range of two octaves.
within a range of two octaves.
*
This effect can be used when the MODULATION “Type” parameter
is set to “PITCH SFT.”
is set to “PITCH SFT.”
On/Off
OFF, ON
This parameter turns the pitch shifter effect on/off.
Type
Selects either manual pitch shifter “MANUAL” or pedal pitch shifter
“PEDAL.”
“PEDAL.”
MANUAL:
This is a simple pitch shifter.
PEDAL:
The effect will function as a pedal pitch shifter. The effect of the wah
pedal can be obtained by operating the Expression pedal.
For a detailed explanation, see “When Using an Expression Pedal”
(p. 187).
pedal can be obtained by operating the Expression pedal.
For a detailed explanation, see “When Using an Expression Pedal”
(p. 187).
Pitch
-24–DETUNE– +24
Adjusts the amount of pitch shift (the amount of pitch change) in
semitone steps. By selecting “DETUNE,” you can add a slightly
pitch-shifted sound to the input sound, producing a detune effect.
semitone steps. By selecting “DETUNE,” you can add a slightly
pitch-shifted sound to the input sound, producing a detune effect.
*
This effect can be used when the “P.Shift Type” parameter is set to
“MANUAL.”
“MANUAL.”
D:E
100:0–0:100
This adjusts the volume balance of the direct and effect sounds.
Separation
-50– +50
Adjusts the diffusion. The panning of the direct sound and effect
sound can be spread to left and right. This will be effective when
stereo output is used.
sound can be spread to left and right. This will be effective when
stereo output is used.
Preamp
Adjust the distortion and tone of the guitar sound.
*
When all Bass, Middle and Treble are set to “0,” no sound may be
produced depending on the “Type” setting.
produced depending on the “Type” setting.
On/Off
OFF, ON
Turns the preamp effect on/off.
Type
This sets the type of the preamp. The distortion and tone
characteristics of each amp are as shown below:
characteristics of each amp are as shown below:
■ With “COSM GTR AMP,” “COSM COMP GTR,” or
“VO+GT AMP” algorithms
JC-120
The sound of the Roland “JC-120,” a favorite
of pro musicians around the world.
of pro musicians around the world.
CLEAN
The sound of a conventional built-in tube
amp.
amp.
CRUNCH
Allows you to obtain a crunch effect that
creates a natural distortion.
creates a natural distortion.
MATCH
A simulation of the latest tube amp widely
used in styles from blues and rock.
used in styles from blues and rock.
VO DRV
Allows you to obtain the Liverpool sound of
the 60’s.
the 60’s.
BLUES
A lead sound with a rich middle ideal for
Blues.
Blues.
BG LEAD
The sound of a tube amp typical of the late
’70s to ’80s, characterized by a distinctive
mid-range.
’70s to ’80s, characterized by a distinctive
mid-range.
MS (1, 2, 1+2)
The sound of a large tube amp stack that was
indispensable to the British hard rock of the
70’s, and is used to this day by many hard
rock guitarists.
indispensable to the British hard rock of the
70’s, and is used to this day by many hard
rock guitarists.
1
A trebly sound created by using input I of the
guitar amp.
guitar amp.
2
A trebly sound created by using input I of the
guitar amp.
guitar amp.
1 + 2
The sound of connecting inputs I and II of the
guitar amp in parallel, creating a sound with a
stronger low end than I.
guitar amp in parallel, creating a sound with a
stronger low end than I.
SLDN
A tube amp sound with versatile distortion,
usable in a wide range of styles.
usable in a wide range of styles.
METAL
The sound of a large tube amp, suitable for
heavy metal.
heavy metal.
METAL D
A high gain and powerful metal sound.