Roland FR-7 用户手册
About the FBC-7 | About the FBC-7
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FR-7/FR-5 V-Accordion
Your FR-7/FR-5 comes with an FBC-7 footswitch unit that doubles as power supply for your V-Accordion and also allows
you to recharge a battery. If you purchased an FR-5, you must connect it to the FBC-7 (or purchase an optional battery).
FR-7 users, on the other hand, can also play their instrument without connecting it to the FBC-7.
you to recharge a battery. If you purchased an FR-5, you must connect it to the FBC-7 (or purchase an optional battery).
FR-7 users, on the other hand, can also play their instrument without connecting it to the FBC-7.
Using the FBC-7
• If you own an FR-5 and did not purchase an optional
battery, you always need the FBC-7.
• If you want to select registers and Sets using the SET
and REGISTER footswitches.
• If you want to use the SUSTAIN footswitch and possi-
bly also an optional expression pedal.
• If you want to take advantage of the FR-7/FR-5’s
MIDI functionality. This may include starting and
stopping an external arranger module, selecting oth-
ers Style divisions, etc.
stopping an external arranger module, selecting oth-
ers Style divisions, etc.
• If you do not own an optional wireless system and do
not want to use excessively long audio cables that
run from the FR-7/FR-5 to your amplifier or mixing
console.
run from the FR-7/FR-5 to your amplifier or mixing
console.
• If you need to recharge the (optional) battery.
Connecting the FBC-7
See page 16 for how to connect the FR-7/FR-5 to the
FBC-7, and the FBC-7 to a wall outlet that matches its
voltage.
The 19-pin cable can only be connected in one way, so
you can’t go wrong. Just be sure to align the protru-
sions on the jack with the corresponding holes on the
FBC-7’s and FR-7/FR-5’s socket:
FBC-7, and the FBC-7 to a wall outlet that matches its
voltage.
The 19-pin cable can only be connected in one way, so
you can’t go wrong. Just be sure to align the protru-
sions on the jack with the corresponding holes on the
FBC-7’s and FR-7/FR-5’s socket:
Using the footswitches
The FBC-7 has five footswitches that grant you even
more flexibility:
more flexibility:
Use the SET switches ([1] and [2]) to select Sets. The [1]
switch allows you to select the preceding Set (e.g. Set
18 if you are currently using Set 19), while the [2]
switch is used to select the next Set (e.g. 20 if you are
currently using Set 19).
switch allows you to select the preceding Set (e.g. Set
18 if you are currently using Set 19), while the [2]
switch is used to select the next Set (e.g. 20 if you are
currently using Set 19).
If you press [2] again after selecting Set 40, the FR-7/
FR-5 jumps to Set 1. Likewise, if you press [1] after
selecting Set 1, the FR-7/FR-5 jumps to Set 40.
FR-5 jumps to Set 1. Likewise, if you press [1] after
selecting Set 1, the FR-7/FR-5 jumps to Set 40.
The REGISTER switches ([3] and [4]) allow you to select
Treble registers [1]~[14]. They work the same way as the
SET footswitches: [3] selects the preceding register,
while [4] selects the next one. These footswitches are
most effective when you combine them with the Link
function (see p. 46), because that allows you to recon-
figure the Bass/Free Bass and Orchestra sections simply
by selecting another Treble register.
Treble registers [1]~[14]. They work the same way as the
SET footswitches: [3] selects the preceding register,
while [4] selects the next one. These footswitches are
most effective when you combine them with the Link
function (see p. 46), because that allows you to recon-
figure the Bass/Free Bass and Orchestra sections simply
by selecting another Treble register.
The SUSTAIN footswitch allows you to hold the notes
of orchestral sounds if that section is on. It also trans-
mits CC64 messages via MIDI. If you assign it to another
section (page 68), it only transmits MIDI messages on
the channel of the selected section (Treble, Bass,
Orchestra Bass, Chord, Orchestra Chord, and/or Orches-
tra Free Bass). Its main use is to generate legato notes
for piano and similar sounds like on an acoustic or digi-
tal piano. Notes whose keys are pressed when you press
the footswitch will be held until you release the SUS-
TAIN footswitch.
of orchestral sounds if that section is on. It also trans-
mits CC64 messages via MIDI. If you assign it to another
section (page 68), it only transmits MIDI messages on
the channel of the selected section (Treble, Bass,
Orchestra Bass, Chord, Orchestra Chord, and/or Orches-
tra Free Bass). Its main use is to generate legato notes
for piano and similar sounds like on an acoustic or digi-
tal piano. Notes whose keys are pressed when you press
the footswitch will be held until you release the SUS-
TAIN footswitch.
Connecting an optional expression pedal
You can also connect an optional EV-5 or EV-8 expres-
sion pedal to the EXPRESSION PEDAL jack. That pedal
applies to the Treble Orchestra part only (again for the
piano, mandolin and guitar sounds; these, by the way,
are the only sounds whose expression cannot be con-
trolled via the bellows). It allows you to create swell
effects in much the same way as an organ or guitar
player does.
sion pedal to the EXPRESSION PEDAL jack. That pedal
applies to the Treble Orchestra part only (again for the
piano, mandolin and guitar sounds; these, by the way,
are the only sounds whose expression cannot be con-
trolled via the bellows). It allows you to create swell
effects in much the same way as an organ or guitar
player does.
5. About the FBC-7
When do you need the FBC-7?
Holes
Protrusions
Turn the ring to lock the jack
and secure the connection