Roland CDX-1 用户手册

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页码 252
104
Arranging audio samples to create a song—Sequence
Finely Adjusting the Timing of Each Phrase—Adjust Timing
The positioning of phrases on the sequence tracks is determined with the following 
formats.
From which measure, beat, and tick number (Start)
The length of expression in beats and ticks (Duration)
The 
Adjust Timing
 function is for changing these values.
Adjust Timing comprises three screens. The first screen is for selecting phrases, and 
the second and third screen is changing settings.
1. Press PAD SEQUENCING [EDIT].
[EDIT] lights, and the Sequence Edit menu are displayed as icons.
fig.34-10
2. Make sure that the cursor is located at the 
Adjust Timing icon.
3. Press [YES/ENTER].
fig.34-10
The Adjust Timing screen appears.
4. Press CURSOR [
].
fig.34-21b
A sequence track select mini-menu appears.
5. Turn the TIME/VALUE dial to select the sequence track (A–D) that you wish to 
edit, and press [YES/ENTER].
A mini-menu disappears.
6. Use the REW [
] /FF [
] or the TIME/VALUE dial to select the phrase that 
you wish to adjust.
The currently selected phrase will be highlighted in black.
7. When the phrase to be adjust is highlighted, press [YES/ENTER].
fig.34-21b
That phrase is selected, and the Edit screen 
appears.
8. Press CURSOR [
] [
] to select “Start“ or “Duration“, and press CURSOR 
[
] [
] and turn TIME/VALUE dial to change the setting.
 Start:
Setting the point where the beginning of the phrase on the sequence 
track.
fig.34-21c
● 
Duration:
Setting the phrase length.
fig.34-21d
9. If required, press CURSOR [
] repeatedly until the third screen is displayed, 
and turn the TIME/VALUE dial to change the value “WaveOffset” or “WaveEnd.”
10. When you are finished editing the sequence track, press [DISPLAY].
 [EDIT] goes out (extinguished), and the display returns to the Basic screen.
If [SEQ PLAY] is off, press 
[EDIT], and it will be turned 
on (lit) automatically. Also, the 
[STATUS] of all audio tracks 
will go dark.
In step 5, also press
[NO/EXIT], a mini-menu 
disappears.
measure–beat–tick
number of beats and ticks
The extend to which the “Start“ 
and “Duration“ of a phrase can 
be changed is limited by the 
phrase before and after it; that is, 
phrases on the same track cannot 
be overlapped. In addition, one 
beat, as indicated here, always 
means a quarter note (96 ticks). 
This is not affected by the 
rhythm in each measure.