Roland FR-7/FR-5 用户手册

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 7.4 Chorus Parameters
V-Accordion 
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57
The important thing to remember here is that the 
overall chorus volume depends on three things: the 
Send level of the various sections, the output level of 
the Chorus processor and the setting of the 
[CHORUS] knob.
If one of them is set to “0”, there will be no chorus. If 
the Send level of a section (the BASS section, for 
example) is set to “0”, only that section will have no 
chorus. Other sections (whose Send value is different 
from “0”), however, can still be processed by the Cho-
rus effect. If the LEVEL parameter on this page is set 
to “0”, the Chorus processor is effectively off for all 
sections.
This page contains several 
parameters that need to be 
selected using the TYPE entry. 
Be sure to first select the 
parameter you want to change 
and then set its value. 
(1) If necessary, press the [DATA÷ENTER] knob to select 
the “TYPE” parameter, then rotate the 
[DATA÷ENTER] knob to select a parameter.
■ Pre-LPF (0~7)—A low-pass filter can be applied to the 
high-frequency range before the signals coming from the 
various sections are processed by the chorus. Higher values 
make the Send signals darker, resulting in a mellower cho-
rus sound. Note that this parameter only applies to the sig-
nals that are sent to the Chorus processor. It does not alter 
the sound of the active sections.
■ Level (0~127)—This parameter sets the output volume 
of the Chorus processor. It is linked to its namesake on the 
“7.3 Chorus Macro Type” page. Higher values result in a 
more prominent Chorus effect.
■ Feedback (0~127)—This parameter sets the level at 
which the Chorus sound is re-input (fed back) into the 
Chorus. By using Feedback, a denser Chorus sound can be 
created. Higher values result in a greater feedback level.
■ Delay (0~127)—This parameter sets the delay of the 
Chorus effect. Higher values will cause greater deviation in 
pitch of the chorus sound.
■ Rate (0~127)—This parameter sets the speed (fre-
quency) at which the chorus sound is modulated. Higher 
values result in faster modulation.
■ Depth (0~127)—This parameter sets the depth at which 
the chorus sound is modulated. Higher values result in a 
more pronounced modulation.
■ Chr® Rev (0~127)—This parameter sets the amount of 
chorus sound that is sent to the Reverb processor. The 
value “127” effectively allows you to connect the Chorus 
and Reverb effects in series (Chorus before Reverb). If you 
do not want the chorus signal to be processed by the 
Reverb effect, set this value to “0”.
■ Chr®Dly (0~127)—This parameter sets the amount of 
chorus sound that is sent to the Delay processor. Higher 
values result in more sound being sent. The value “127” 
effectively allows you to connect the Chorus and Delay 
effects in series (Chorus before Delay). If you do not want 
the chorus signal to be processed by the Delay effect, set 
this value to “0”.
(2) Press the [DATA÷ENTER] knob to select the “VALUE” 
parameter, then rotate the [DATA÷ENTER] knob to 
set the value (see the indications between brackets 
above).
If you change one of the above parameter values, an 
“(E)” appears next to the “TYPE” name to signal that 
you are no longer using the presets of the macro in 
question.
If you then select another TYPE, however, your 
changes are lost and replaced by the settings of the 
newly selected macro. 
Note: Simultaneously press the [UP] and [DOWN] buttons to 
recall the factory setting for the currently active parameter.
Chorus
Level
Volume
Chorus
Send
Reverb
Send
Delay
Send
Level
Level
Reverb
Delay
L
R
Section
(e.g. Treble)
Chorus
Level
Volume
Chorus
Send
Reverb
Send
Delay
Send
Level
Level
Reverb
Delay
L
R
Section
(e.g. Treble)