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Roland JUNO-G 用户手册

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163
Settings Common to All Modes (System Function)
[F2 (ASSIGN)]
[F3 (ATV EXP)]
[F4 (SYNTH)]
 
Parameter
Value
Explanation
 
Type
CC01–31, 33–95, 
BEND UP, 
BEND DOWN, 
START/STOP, 
TAP TEMPO, 
ARP GRID, 
ARP DURATION, 
ARP MOTIF, 
ARP OCTAVE UP, 
ARP OCTAVE DOWN
Function controlled by the D Beam controller
 
CC01–31, 33–95:
 
 Controller numbers 1–31, 33–95
 
BEND UP:
 
 
BEND DOWN:
 
 
START/STOP:
 
 Starts/Stops the song recorder.
 
TAP TEMPO:
 
 Tap tempo (a tempo specified by the interval at which you move your hand over the D Beam controller).
 
ARP GRID:
 
 Arpeggio Grid
 
ARP DURATION:
 
 Duration of each arpeggiated note
 
ARP MOTIF:
 
 Arpeggio Motif
 
ARP OCTAVE UP:
 
 The range in which the arpeggio is sounded will rise in steps of an octave (maximum 3 octaves).
 
ARP OCTAVE DOWN:
 
 The range in which the arpeggio is sounded will lower in steps of an octave (maximum 3 oc-
taves).
Range Min
0–127
Lower limit of the range of the D Beam controller.
Range Max
0–127
Upper limit of the range of the D Beam controller.
By setting Range Max below Range Min you can invert the range of change.
 
Parameter
Value
Explanation
 
Range Min
0–127
Lower limit of the range of the Active Expression.
Range Max
0–127
Upper limit of the range of the Active Expression.
By setting Range Max below Range Min you can invert the range of change.
 
Parameter
Value
Explanation
Level & Range
 
Level
0–127
Sets the volume.
Chorus Send Level
0–127
Level of the signal sent to chorus
Reverb Send Level
0–127
Level of the signal sent to reverb
Range
2OCT, 4OCT, 
8OCT
Range in which the pitch of the solo synth will vary
 
Osc1
 
Osc 1 Waveform
SAW, SQR
Waveform
 
SAW:
 
 Sawtooth wave
 
SQR:
 
 Square wave
Osc 1 Pulse Width
0–127
Pulse width of the waveform
By cyclically modifying the pulse width you can create subtle changes in the tone.
 
* The Pulse Width is activated when “SQR” is selected with OSC1/2 waveform.
 
Osc 1 Coarse Tune
-48– +48
Pitch of the tone’s sound (in semitones, +/-4 octaves)
Osc 1 Fine Tune
-50– +50
Pitch of the tone’s sound (in 1-cent steps)
 
Osc2 & Sync
 
Osc 2 Waveform
(same as Osc 1)
Osc 2 Pulse Width
Osc 2 Coarse Tune
Osc 2 Fine Tune
Osc 2 Level
0–127
Adjust the level.
Osc Sync Switch
OFF, ON
Turning this switch on produces a complex sound with many harmonics.
This is effective when the OSC1 pitch is higher than the OSC2 pitch.
 
Filter
 
Filter Type
OFF, LPF, 
BPF, HPF, 
PKG
Type of filter
 
OFF:
 
 No filter is used.
 
LPF:
 
 Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff) in order to round 
off, or un-brighten the sound.
 
BPF:
 
 Band Pass Filter. This leaves only the frequencies in the region of the cutoff frequency, and cuts the rest.
 
HPF:
 
 High Pass Filter. This cuts the frequencies in the region below the cutoff frequency.
 
PKG:
 
 Peaking Filter. This emphasizes the frequencies in the region of the cutoff frequency.
Cutoff
0–127
Frequency at which the filter begins to have an effect on the waveform’s frequency components
Resonance
0–127
Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound.
Excessively high settings can produce oscillation, causing the sound to distort.
 
LFO
 
LFO Rate
0–127
Modulation speed of the LFO
LFO Osc 1 Pitch Depth
-63– +63
Depth to which the LFO will modulate the Osc 1 pitch
LFO Osc 2 Pitch Depth
-63– +63
Depth to which the LFO will modulate the Osc 2 pitch
LFO Osc 1 Pulse 
Width Depth
-63– +63
Depth to which the LFO will modulate the pulse width of the Osc 1 waveform
 
* The Pulse Width is activated when “SQR” is selected with Osc 1 waveform.
 
LFO Osc 2 Pulse 
Width Depth
-63– +63
Depth to which the LFO will modulate the pulse width of the Osc 2 waveform
 
* The Pulse Width is activated when “SQR” is selected with Osc 2 waveform.
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