Roland JUNO-G 用户手册
70
Modifying the Sound in Real Time
On the JUNO-G you can play a monophonic synthesizer whose pitch
is controlled by the D Beam.
is controlled by the D Beam.
1.
Hold down [SHIFT] and press D BEAM [SOLO SYNTH].
A screen like the following appears.
2.
Press [
] [
] to select the parameter.
3.
Use the VALUE dial or [INC] [DEC] to make the setting.
4.
If you want to save the settings, press [F6 (WRITE)].
Press [F3 (DB ASGN)] to access the D Beam assignment screen,
or [F4 (DB EXP)] to access the D Beam active expression screen.
or [F4 (DB EXP)] to access the D Beam active expression screen.
5.
Press [EXIT] to return to the previous screen.
Setting for the Solo Synth are saved for system settings.
SOLO SYNTH
Parameter
Value
Explanation
Level & Range
Level
0–127
Sets the volume.
Chorus Send Level
0–127
Level of the signal sent to chorus
Reverb Send Level
0–127
Level of the signal sent to reverb
Range
2OCT,
4OCT,
8OCT
4OCT,
8OCT
Range in which the pitch of the solo synth will vary
Osc1
Osc 1 Waveform
SAW,
SQR
SQR
Waveform
SAW:
Sawtooth wave
SQR:
Square wave
Osc 1 Pulse Width
0–127
Pulse width of the waveform
By cyclically modifying the pulse width you can create subtle changes in the tone.
* The Pulse Width is activated when “SQR” is selected with OSC1/2 waveform.
Osc 1 Coarse Tune
-48– +48
Pitch of the tone’s sound (in semitones, +/-4 octaves)
Osc 1 Fine Tune
-50– +50
Pitch of the tone’s sound (in 1-cent steps)
Osc2 & Sync
Osc 2 Waveform
(same as Osc 1)
Osc 2 Pulse Width
Osc 2 Coarse Tune
Osc 2 Fine Tune
Osc 2 Level
Osc 2 Coarse Tune
Osc 2 Fine Tune
Osc 2 Level
0–127
Adjust the level.
Osc Sync Switch
OFF, ON
Turning this switch on produces a complex sound with many harmonics.
This is effective when the OSC1 pitch is higher than the OSC2 pitch.
Filter
Filter Type
OFF, LPF,
BPF,
HPF,
PKG
BPF,
HPF,
PKG
Type of filter
OFF:
No filter is used.
LPF:
Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff) in order to round
off, or un-brighten the sound.
BPF:
Band Pass Filter. This leaves only the frequencies in the region of the cutoff frequency, and cuts the rest.
HPF:
High Pass Filter. This cuts the frequencies in the region below the cutoff frequency.
PKG:
Peaking Filter. This emphasizes the frequencies in the region of the cutoff frequency.
Cutoff
0–127
Frequency at which the filter begins to have an effect on the waveform’s frequency components
Resonance
0–127
Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound.
* Excessively high settings can produce oscillation, causing the sound to distort.
LFO
LFO Rate
0–127
Modulation speed of the LFO
LFO Osc 1 Pitch Depth
-63– +63
Depth to which the LFO will modulate the Osc 1 pitch
LFO Osc 2 Pitch Depth
-63– +63
Depth to which the LFO will modulate the Osc 2 pitch
LFO Osc 1 Pulse Width
Depth
Depth
-63– +63
Depth to which the LFO will modulate the pulse width of the Osc 1 waveform
* The Pulse Width is activated when “SQR” is selected with Osc 1 waveform.
LFO Osc 2 Pulse Width
Depth
Depth
-63– +63
Depth to which the LFO will modulate the pulse width of the Osc 2 waveform
* The Pulse Width is activated when “SQR” is selected with Osc 2 waveform.
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