Roland JUNO-D 用户手册
58
Playing more than one sound simultaneously (Performance mode)
Editing the scale tune settings
(SCALE TUNE)
(SCALE TUNE)
The Scale Tune function lets you use a variety of tunings. For each
note C–B, you can specify the pitch in units of one cent (1/100th of a
semitone).
note C–B, you can specify the pitch in units of one cent (1/100th of a
semitone).
Scale Tune settings are made independently for each part.
If you want to edit the scale tune for Patch mode, refer to
1.
2.
Press [ENTER].
fig.r06-54c_40
3.
Use PAGE/CURSOR [
]/[
] to select “Type” or “Tune”,
and use VALUE [-]/[+] to specify its value.
4.
Press [EXIT] to return to the above screen.
Type (Part Scale Tune Type)
You can switch the “Type” parameter to recall various sample
settings for Scale Tune. When you change “Type,” all scale tune
parameters will be changed automatically.
settings for Scale Tune. When you change “Type,” all scale tune
parameters will be changed automatically.
EQUAL
(Equal Temperament):
This tuning divides the octave into 12 equal parts, and is the
most widely used method of temperament used in Western
music.
most widely used method of temperament used in Western
music.
JUST (maj) in C
(Just Temperament (major):
Compared with equal temperament, the principle triads sound
pure in this tuning. However, this effect is achieved only in one
key, and chords will become ambiguous if you transpose.
pure in this tuning. However, this effect is achieved only in one
key, and chords will become ambiguous if you transpose.
JUST (min) in C
(Just Temperament (minor):
Compared with equal temperament, the principle triads sound
pure in this tuning. However, this effect is achieved only in one
key, and chords will become ambiguous if you transpose.
pure in this tuning. However, this effect is achieved only in one
key, and chords will become ambiguous if you transpose.
ARABIC
(Arabian Scale):
In this scale, E and B are a quarter note lower and C#, F# and G#
are a quarter-note higher compared to equal temperament. The
intervals between G and B, C and E, F and G#, Bb and C#, and Eb
and F# have a natural third–the interval between a major third
and a minor third.
are a quarter-note higher compared to equal temperament. The
intervals between G and B, C and E, F and G#, Bb and C#, and Eb
and F# have a natural third–the interval between a major third
and a minor third.
Tune C–B (Part Scale Tune C–B)
Make scale tune settings for each part.
Value:
-64–+63
Editing the effect settings for each
part of the performance
(Performance Part Effect)
1.
Press [PERFORM] so it is lit and you are in Performance
mode.
2.
Select a performance.
3.
Press [PART SELECT] so it is lit.
4.
Use [0]–[9] to select the part whose settings you want to
edit.
To select the parts 11–16, hold down [SHIFT] and press [1]–[6]
(p. 43).
(p. 43).
5.
Press [EFFECTS] so it is lit.
Now you can make settings for the performance part effect
parameters.
parameters.
6.
Use PAGE/CURSOR [
]/[
] to select a parameter, and
use VALUE [-]/[+] to specify the value.
You can modify the following parameters.
To save the edited performance, refer to
Master Effects Switch
The Master Effect Switch can also be set here. For details, refer to
MFX Switch
Switches the multi-effect on/bypass (off) in each Part.
Value:
BYPASS, ON
Chorus Send Lvl (Chorus Send Level)
Sets the amount of chorus effect applied in each Part.
Value:
0–127
Reverb Send Lvl (Reverb Send Level)
Sets the amount of reverb effect applied in each Part.
Value:
0–127
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