Roland XV-88 用户手册

This is where the settings used in performing arpeggios in 
Performance mode are made.

When arpeggios are performed in Patch/Rhythm Set/
GM mode, the arpeggio settings are made in System 
mode (p. 174).

fig.04-11

fig.04-12

fig.04-13

fig.04-14

Specifies the basic way in which the arpeggio will be played. 
Select one of the following 45 types.

: The rhythm will be divided in quarter notes.

: The rhythm will be divided in quarter note triplets.

: The rhythm will be divided in eighth notes.

: The rhythm will be divided in eighth note triplets.

: The rhythm will be divided in 16th notes.

: The rhythm will be divided in 32nd notes.

: A style using the portamento effect.

: A glissando style.

: Styles for sequenced patterns.

: An echo-like style.

: 

Styles appropriate for bass playing.

: Styles for rhythm guitar. Styles 2–5 are 

effective when 3–4 notes are held.

: Three-finger guitar style.

: Guitar chords strummed both up and down. 

Effective when five or six notes are held.

: Styles for keyboard 

instrument backing.

: Styles in triple meter.

: A reggae-type style. Effective when three notes 

are held.

: A style suitable for percussive instrument.

: A style simulating harp playing.

: The playing style of a Shamisen.

: A style suggestive of a bouncing ball.

: A style in which the notes sound in random 

order.

: A style with bossanova rhythm guitar. Hold 

3–4 notes for best results. You can increase the tempo and use 
this as a Samba.

: Typical salsa style. Hold 3–4 notes for best results.

: Typical mambo style. Hold 3–4 notes for best 

results.

: A rhythm style with Latin percussion 

instruments such as Clave, Cowbell, Clap, Bongo, Conga, 
Agogo etc.

: Typical samba style. Use for rhythm patterns or 

bass lines.

: Typical tango rhythm style. Hold the root, 3rd and 

5th of a triad etc. for best results.

: A style for house piano backing. Hold 3–4 notes for 

best results.

: The settings of all parameters can be freely 

combined without restriction.

Choices can be set for the Motif, Beat Pattern, Shuffle 
Rate and Accent Rate parameters for each style. Refer to 
the 

Sets the key range in octaves over which arpeggio will take 
place. If you want the arpeggio to sound using only the notes 
that you actually play, set this parameter to 0. To have the 
arpeggio sound using the notes you play and notes 1 octave 
higher, set this parameter to +1. A setting of -1 will make the 
arpeggio sound using the notes you play and notes 1 octave 
lower.