Roland XP-30 用户手册

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Chapter 6
Chapter 6. Getting the Full Potential of the XP-30
This section discusses various techniques for effectively 
using the XP-30 for specific applications. The more you use 
the XP-30, the faster you’ll appreciate the real power of this 
unit.
Techniques for Using Patches
Reinforcing Filter Characteristics
If you want to reinforce filter characteristics, set the Type 
parameter (PATCH/COMMON/STRUCT) to 2, and series-
connect the TVFs of Tones 1 and 2.
This example shows how to boost the effectiveness of the 
filter for “PR-C:014 MKS-80 Brass.”
1. Select PR-C:014 MKS-80 Brass on the Play display 
(PATCH).
2. Press [FILTER/ENV] to light the indicator.
3. Move the CUTOFF and RESO. sliders while you play 
notes and hear how sound changes.
4. Set the Type parameter (PATCH/COMMON/STRUCT) 
to 2.
5. Again, move the CUTOFF and RESO. sliders and hear 
how the sound changes.
Notice the effectiveness of the filter has changed.
* If the result is difficult to hear, press [EFFECTS ON/OFF] to 
Making the Up-Beat Note 
Sound at the Same Time You 
Play a Down-Beat Note
1. Select PR-A:087 Music Bells on the PATCH PLAY 
display and listen to the sound.
2. Call up the TONE DELAY display (PATCH/WAVE).
3. Select Tone 1.
4. Set Tone 1’s Mode parameter to PLAYMATE and the 
Time parameter to 32.
5. Play the XP-30’s keyboard keeping a constant tempo.
Tones 1 and 2 sound alternately. Tone 1 will sound at the 
timing point exactly between a note you press and the 
following note. Try various settings, for instance use 
different wave or modify the pitch.
* Tone 1 will not sound if the two keys are pressed at an interval 
of 2 seconds or longer.
Holding a Note with 
Modulation Retained
In general, pressing the Hold pedal makes a note continue to 
sound. However, other effects will go off. To keep other 
effects effective as well, perform the following procedure.
1. Connect an optional pedal switch to the HOLD PEDAL 
jack.
2. Select a Patch (PR-C:110 Crash Pad, etc.) to which an 
effect will be applied when the modulation lever is 
moved on the PATCH PLAY display.
3. Set the Hold parameter (SYSTEM/CONTROL/
CONTROL SOURCE) to HOLD1.
4. Call up the PEAK & HOLD display (PATCH/
CONTROL) and set Ctrl 1 parameter to HOLD.
5. Press a note and press the pedal switch as you move the 
modulation lever forward.
6. When the note and modulation lever are released, both 
the note and the effect produced by the modulation lever 
will be held.
Syncing the LFO Cycle to 
System Tempo
1. Select PR-B:052 Blade Racer on the PATCH PLAY 
display.
2. Set the Source parameter (PATCH/COMMON/PATCH 
CLOCK) to SYSTEM.
3. Make sure that each Tone’s EXTSync parameter 
(PATCH/LFO/LFO 1, 2) is set to CLOCK. If not, reset.
4. Set the Clock Source parameter (SYSTEM/SETUP/
SYSTEM SETUP) to INT.
* When the Clock Source parameter is set to MIDI, you can 
achieve synchronization with the tempo of an external MIDI 
device.
5. Try playing the keyboard while you change the System 
Tempo parameter (SYSTEM/SETUP/SYSTEM SETUP) 
to various values.
6. Set the modulation depth as desired using LFO 
DEPTH1:2 display (PATCH/LFO) of each Tone.
* When you have selected PR-B:047, 049, 051–056, 069, PR-
C:034, 093, 097, 099, or 123, it is also possible to synchronize 
the LFO to the system’s tempo clock by setting the Source 
parameter (PATCH/COMMON/PATCH CLOCK) to 
SYSTEM. Try it.