Roland XP-30 用户手册
75
Chapter 3. Creating Your Own Sounds
Chapter 3
EfxCtrl (EFX Control Peak/Hold)
Specify how Hold messages will affect the parameters you
specify in the PATCH EFX CTRL display (PATCH/
EFFECTS).
specify in the PATCH EFX CTRL display (PATCH/
EFFECTS).
OFF:
Parameter values will not be held even if Hold
messages are received.
messages are received.
HOLD:
Parameter values will be held when Hold messages
are received.
are received.
PEAK:
Parameter values will be held when Hold messages
are received. However if a parameter value higher
than the current one is received while Hold is still
on, that new value will be held.
are received. However if a parameter value higher
than the current one is received while Hold is still
on, that new value will be held.
Ctrl 1 (Control 1 Peak/Hold)
Specify how Hold messages will affect the parameters
controlled by Control Source 1 (Modulation: MIDI controller
number 1). The settings are the same as for EFX Control.
controlled by Control Source 1 (Modulation: MIDI controller
number 1). The settings are the same as for EFX Control.
Ctrl 2 (Control 2 Peak/Hold)
This parameter specifies the way in which Hold messages
will control the parameter selected as Control Source 2 in the
following display. The range of values is the same as for EFX
control.
will control the parameter selected as Control Source 2 in the
following display. The range of values is the same as for EFX
control.
Ctrl 3 (Control 3 Peak/Hold)
This parameter specifies the way in which Hold messages
will control the parameter selected as Control Source 3 in the
following display. The range of values is the same as for EFX
control.
will control the parameter selected as Control Source 3 in the
following display. The range of values is the same as for EFX
control.
CONTROL SOURCE
If you wish to use controllers to control a specific Tone
parameter, select the controller in this display. Each Patch
can have up to 3 control source assigned to it, but the
function of control source 1 is fixed at Modulation (MIDI
controller number 1).
parameter, select the controller in this display. Each Patch
can have up to 3 control source assigned to it, but the
function of control source 1 is fixed at Modulation (MIDI
controller number 1).
Control 2 (Control Source 2)
Assign one of the following controllers to Control Source 2. If
you want to use a controller that will be common to all
Patches, or to use a controller that is not available for
selection here, first select SYS-CTRL 1 or SYS-CTRL 2 then set
the Control 1/2 parameter (SYSTEM/CONTROL/SYS-CTRL
ASSIGN) to select the controller.
you want to use a controller that will be common to all
Patches, or to use a controller that is not available for
selection here, first select SYS-CTRL 1 or SYS-CTRL 2 then set
the Control 1/2 parameter (SYSTEM/CONTROL/SYS-CTRL
ASSIGN) to select the controller.
OFF:
a controller will not be used
SYS-CTRL1:
System controller (Control 1)
SYS-CTRL2:
System controller (Control 2)
MODULATION:
Modulation (MIDI controller number 1)
BREATH:
Breath (MIDI controller number 2)
FOOT:
Foot (MIDI controller number 4)
VOLUME:
Volume (MIDI controller number 7)
PAN:
Pan (MIDI controller number 10)
EXPRESSION:
Expression (MIDI controller number 11)
BENDER:
Pitch bend
AFTERTOUCH:
Aftertouch
LFO1:
LFO1 rate
LFO2:
LFO2 rate
VELOCITY:
Velocity
KEYFOLLOW:
Key follow (adjust the parameter value
depending on the keyboard location, relative
to a standard value (0) at the C4 key)
depending on the keyboard location, relative
to a standard value (0) at the C4 key)
PLAYMATE:
Playmate (adjust the parameter value
depending on the time length that the key is
pressed)
depending on the time length that the key is
pressed)
Control 3 (Control Source 3)
Assign a controller to Control Source 3. The controllers
available for selection are the same as for Control Source 2.
available for selection are the same as for Control Source 2.
CONTROL 1–3
Specify the parameters to be controlled by Control Sources 1–3
and the depth of each parameter. The upper line of the display
will show the Control Source selected in the previous display.
and the depth of each parameter. The upper line of the display
will show the Control Source selected in the previous display.
* From the PATCH PLAY display you can switch directly to the
CONTROL1 display by pressing [CONTROLLER] while
holding down [SHIFT].
holding down [SHIFT].
Destination 1–4
Select the parameters to be controlled. Up to four parameters can
be specified for each controller, and controlled simultaneously.
be specified for each controller, and controlled simultaneously.
OFF:
no control
PCH:
WG Pitch
CUT:
TVF Cutoff Frequency
RES:
TVF Resonance
LEV:
TVA Level
PAN:
TVA Pan
MIX:
Output level of Tone
CHO:
Chorus Send level of Tone
REV:
Reverb Send level of Tone
PL1:
LFO1 depth of WG Pitch
PL2:
LFO2 depth of WG Pitch
FL1:
LFO1 depth of TVF Cutoff Frequency
FL2:
LFO2 depth of TVF Cutoff Frequency
AL1:
LFO1 depth of TVA Level
AL2:
LFO2 depth of TVA Level
pL1:
LFO1 depth of TVA Pan
pL2:
LFO2 depth of TVA Pan
L1R:
LFO1 rate
L2R:
LFO2 rate
Depth 1–4
Adjust the amount of change that will occur in response to
controller movement. Higher value will cause greater
change. Negative (-) values will reverse the direction of the
change. For LFO rates, negative (-) values will lengthen the
period (causing slower modulation), and positive (+) values
will shorten the period (causing faster modulation).
controller movement. Higher value will cause greater
change. Negative (-) values will reverse the direction of the
change. For LFO rates, negative (-) values will lengthen the
period (causing slower modulation), and positive (+) values
will shorten the period (causing faster modulation).