Roland C-380 用户手册

 

Glossary

 

This causes the highest note played on manual I (the lower 

keyboard) to be sounded using the sound of manual II (the upper 

keyboard).

This means that the sound of the upper keyboard will be used to 

play the highest note as the melody, even though you’re actually 

fingering only the lower keyboard.

 

This creates a cyclic change in the sound’s volume or tone, 

producing a soft character similar to tremolo or vibrato.

This effect is applied only to organ sounds.

 

These are switches that are located at the left and right sides of the 

expression pedal and can be operated with the tip of your foot.

By assigning the desired function to these switches, you can switch 

registrations using your feet.

 

Each sound tablet allows you to select four different stops (sounds) 

as variations. These sounds are called the voice palette.

 

This is data that includes the voice palette (choice of variation) for 

each sound (stop), the volume balance, and adjustments to the tone 

and pitch (voicing), collectively determining the overall design or 

type of the entire organ as appropriate for the era or style of music 

you wish to play.

By switching between voice setups, you can change the overall 

tonal character and feel of the entire organ; for example, you can 

change from a Baroque organ to a French romantic era organ.

 

The C-330/C-380 allows you to switch between several historical 

tuning methods (temperaments) in addition to the standard equal 

temperament of today.

 

The reference pitch of an instrument is usually expressed as the 

frequency of the middle “A” note.

As an alternative to today’s standard pitch of 440 Hertz, the C-330 

allows you to choose historical pitches such as Baroque pitch (415 

Hz) or Versailles pitch (392 Hz).

You can also adjust the tuning to intermediate pitches such as 442 

Hz or 420 Hz.

 

You can transpose the keyboard to change the range of pitches that 

it plays.

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