Roland SH-32 用户手册
7
Contents
Patches (A11–D88) ........................................................................................................................ 45
Rhythm Sets (r1U, r2U, r3P, r4P) ................................................................................................ 45
Performances (1-1–8-8) ................................................................................................................. 46
Rhythm Sets (r1U, r2U, r3P, r4P) ................................................................................................ 45
Performances (1-1–8-8) ................................................................................................................. 46
How Characters and Numerals Are Displayed ................................................................................... 46
About Memory.......................................................................................................................................... 47
About Memory.......................................................................................................................................... 47
Temporary Memory...................................................................................................................... 47
Rewritable Memory ...................................................................................................................... 47
Non-Rewritable Memory ............................................................................................................. 47
Main Setting Destinations............................................................................................................ 48
Rewritable Memory ...................................................................................................................... 47
Non-Rewritable Memory ............................................................................................................. 47
Main Setting Destinations............................................................................................................ 48
Oscillator ON/OFF and Mix Balance (OSC 1, OSC 2, BALANCE) ....................................... 52
Selecting the Fundamental Waveform (WAVE, VARIATION) ............................................. 53
Determining the Pitch (OCTAVE, PITCH)................................................................................ 54
Creating a Fatter Sound by Adding Components One Octave Below the Sound
(SUB OSC) ...................................................................................................................................... 54
Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)................................................. 54
Changing the Pulse Width of a Square Wave Periodically (PWM)....................................... 55
Creating a Metallic Sound (OSC 1X2 RING)—Ring Modulator ............................................ 55
Creating an Assertive Solo Sound (OSC 1X2 SYNC)—Oscillator Sync ................................ 55
Selecting the Fundamental Waveform (WAVE, VARIATION) ............................................. 53
Determining the Pitch (OCTAVE, PITCH)................................................................................ 54
Creating a Fatter Sound by Adding Components One Octave Below the Sound
(SUB OSC) ...................................................................................................................................... 54
Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)................................................. 54
Changing the Pulse Width of a Square Wave Periodically (PWM)....................................... 55
Creating a Metallic Sound (OSC 1X2 RING)—Ring Modulator ............................................ 55
Creating an Assertive Solo Sound (OSC 1X2 SYNC)—Oscillator Sync ................................ 55
Internal Filter Types and Functions (TYPE, SLOPE) ............................................................... 56
Setting the Cutoff Frequency (CUTOFF) ................................................................................... 57
Using Resonance to Add Fullness to the Sound (RESONANCE).......................................... 57
Changing the Cutoff Over Time (A D S R, ENV DEPTH) ...................................................... 57
Changing the Filter According to the Keyboard Position (KEY FOLLOW)......................... 58
Setting the Cutoff Frequency (CUTOFF) ................................................................................... 57
Using Resonance to Add Fullness to the Sound (RESONANCE).......................................... 57
Changing the Cutoff Over Time (A D S R, ENV DEPTH) ...................................................... 57
Changing the Filter According to the Keyboard Position (KEY FOLLOW)......................... 58
Changing the Volume Over Time (A D S R, ENV DEPTH).................................................... 58
Increasing and Decreasing the Rate of Change in Volume According to the Keyboard
Position (TIME KEY FOLLOW) .................................................................................................. 59
Setting the Volume for Each Patch, Rhythm Set, or Performance ......................................... 59
Increasing and Decreasing the Rate of Change in Volume According to the Keyboard
Position (TIME KEY FOLLOW) .................................................................................................. 59
Setting the Volume for Each Patch, Rhythm Set, or Performance ......................................... 59
LFO Arrangement and Functions............................................................................................... 59
Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)............. 59
Adjusting the Rate of Modulation (RATE)................................................................................ 60
Adjusting the Modulation Depth (DESTINATION, DEPTH) ................................................ 60
Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)............. 61
Other LFO Settings (FADE IN, KEY SYNC) ............................................................................. 61
Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)............. 59
Adjusting the Rate of Modulation (RATE)................................................................................ 60
Adjusting the Modulation Depth (DESTINATION, DEPTH) ................................................ 60
Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)............. 61
Other LFO Settings (FADE IN, KEY SYNC) ............................................................................. 61