Roland G6037008-01 用户手册

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Appendices

The entries under “PU” in the chart indicate the type of pickup suited to the respective patch.

ME-70: GUITAR MULTIPLE EFFECTS

0 dBu = 0.775 Vrms

In the interest of product improvement, the specifications and/or ap-
pearance of this unit are subject to change without prior notice.

Preset Patch List

Patch
Number

Explanation

1-1

Rough distortion sound, good for backing.

S/H

1-2

Well sustained distortion sound, good for solos.

S/H

1-3

Crunch sound suitable for blues.

S/H

1-4

Clean sound for arpeggio.

S/H

2-1

Metal sound good for riffs.

2-2

Fuzz sound of the 60s with UNI-V. Speed of UNI-V effect can be changed with expression pedal.

2-3

Crunch sound, good for chord strokes.

S/H

2-4

Tight, clean sound, good for rhythm.

S/H

3-1

Drive sound for 70s hard rock.

S/H

3-2

Metal sound, good for single-coil pickups.

3-3

Rotary sound of the 70s. Speed of ROTARY effect can be changed with expression pedal.

S/H

3-4

Jazz sound, suitable for neck pickup.

4-1

Sweet drive sound for latin rock. Level of DELAY effect can be controlled with expression pedal.

4-2

This is a whimsical sound suited to 1970s progressive rock.

4-3

Tremolo sound, good for 60s surf rock.

4-4

Clean sound with T.WAH for funk.

5-1

Distortion sound for 80s metal.

5-2

This raises the pitch by an octave when the expression pedal is operated. It is suited to single-note phrases.

S/H

5-3

Crunch sound with COMPRESSOR for solos.

5-4

Phaser sound, good for rhythm.

S/H

6-1

Drive sound, good for punk rock.

S/H

6-2

Twin-lead-like distortion sound for single-note phrases in A minor (C major.)

S/H

6-3

90s alternative-rock sound.

S/H

6-4

Clean sound with pedal wah, good for rhythm.

S/H

7-1

Mild lead sound for jazz-fusion.

S/H

7-2

This produces an effect like a talk box when the pedal is operated.

S/H

7-3

Slap-back echo sound for country.

7-4

Clean tone for 60s Liverpool sound.

8-1

Heavy distortion combining sound an octave lower.

8-2

Wild distortion with FLANGER.

8-3

Hard rock sound with PHASER.

8-4

Changes a single-coil-pickup sound to a clean, humbucker sound.

9-1

This tone is suited to solos that combine PEDAL WAH and DISTORTION.

S/H

9-2

Synth-like sound using SLOW GEAR.

9-3

This is a crunch sound that uses a dotted eighth note delay. Pressing the number pedals changes the delay time.

9-4

Fretless guitar sound.

Specifications

AD
Conversion

24-bit + AF method

AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS
that vastly improves the signal-to-noise (S/N) ra-
tio of the A/D and D/A converters.

DA
Conversion

24-bit

Sampling
Frequency

44.1 kHz

Patch

36 (User) + 36 (Preset)

Nominal
Input Level

GUITAR INPUT: -10 dBu

AUX IN: -18 dBu

Input
Impedance

GUITAR INPUT: 1M ohm

AUX IN: 22k ohms

Nominal
Output Level

-10 dBu

Output
Impedance

2k ohms

Display

7 segments, 2 digits LED

Power Supply

DC 9 V

Dry Batteries (R6/LR6(AA) type) x 6
AC Adaptor (BOSS PSA series: sold separately)

Current Draw

130 mA

Expected bat-
tery life under
continuous use

Alkaline: 12 hours
Carbon: 3.5 hours
(These figures will vary depending on the
actual conditions of use.)

Dimensions

384 (W) x 229 (D) x 74 (H) mm
15-1/8 (W) x 9-1/16 (D) x 2-15/16 (H) inches

Maximum height:
384 (W) x 229 (D) x 100 (H) mm
15-1/8 (W) x 9-1/16 (D) x 3-15/16 (H) inches

Weight

3.5 kg, 7 lbs 12 oz (including batteries)

Accessories

Owner's Manual
Dry Batteries (Alkaline: LR6 (AA) type) x 6
Roland Service (Information Sheet)

Options

AC Adaptor: BOSS PSA series
Footswitch: BOSS FS-5U, FS-6

S = Patch that is optimal for a single-coil pickup

H = Patch that is optimal for a humbucking pickup

ME-70_e1.book 17 ページ２００８年１１月５日　水曜日　午後５時３９分