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Chapter 8 Parameters Guide FX (Effects)
OCTAVE
This adds a note one octave lower, creating a richer sound.
*
Because of the need to analyze the pitch, chords (two or more sounds
played simultaneously) cannot be played.
played simultaneously) cannot be played.
PITCH SHIFT (Pitch Shifter)
This effect changes the pitch of the original sound (up or down)
within a range of two octaves.
within a range of two octaves.
*
1
With VOICE set to 2MONO or 2ST, you can select two sounds.
Parameter/
Range
Range
Explanation
OCTAVE LEVEL
0–100
Adjusts the volume of the sound one octave
below.
below.
DIRECT LEVEL
0–100
Adjusts the volume of the direct sound.
Parameter/
Range
Range
Explanation
VOICE
Selects the number of voices for the pitch shift sound.
1VOICE
One-voice pitch-shifted sound output in
monaural.
monaural.
2MONO
Two-voice pitch-shifted sound (PS1, PS2)
output in monaural.
output in monaural.
2ST (2Stereo)
Two-voice pitch-shifted sound (PS1, PS2)
output through left and right channels.
output through left and right channels.
LEVEL1, LEVEL2 *1
0–100
Adjusts the volume of the pitch shift sound
DIRECT LEVEL
0–100
Adjusts the volume of the direct sound.
PITCH SHIFT1, PITCH SHIFT2
MODE1, MODE2 *1
MODE1, MODE2 *1
Selection for the pitch shifter mode.
FAST, MEDIUM,
SLOW
SLOW
A chord can be input with a normal pitch
shifter. The response is slower in the order
of FAST, MEDIUM and SLOW, but the
modulation is lessened in the same order.
shifter. The response is slower in the order
of FAST, MEDIUM and SLOW, but the
modulation is lessened in the same order.
MONO
MONO is used for inputting single notes.
* You may be unable to produce the intended
effect when playing chords (two or more
notes played simultaneously).
notes played simultaneously).
PITCH 1, PITCH2 *1
-24–+24
Adjusts the amount of pitch shift (the
amount of interval) in semitone steps.
amount of interval) in semitone steps.
FINE1, FINE2 *1
-50–+50
Make fine adjustments to the interval.
The amount of the change in the Fine 100 is
equivalent to that of the Pitch 1.
The amount of the change in the Fine 100 is
equivalent to that of the Pitch 1.
PRE DELAY1, PRE DELAY2 *1
0 ms –300 ms,
BPM
–BPM
Adjusts the time from when the direct
sound is heard until the pitch shifted sounds
are inputted. Normally you can leave this
set at 0ms.
sound is heard until the pitch shifted sounds
are inputted. Normally you can leave this
set at 0ms.
When set to BPM, the value of each parameter will be set according
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
to the value of the BPM (p. 142) specified for each patch. This makes
it easier to achieve effect sound settings that match the tempo of the
song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
time.
FEEDBACK1
0–100
Adjusts the feedback amount of the pitch
shift sound.
shift sound.
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