Behringer 1202FX/1002FX 用户手册

XENYX 1202FX/1002FX User Manual

The XENYX Series represents a milestone in the development of mixing console 

technology. With the new XENYX microphone preamps including phantom power 

as an option, balanced line inputs and a powerful effects section, the mixing 

consoles in the XENYX Series are optimally equipped for live and studio 

applications. Owing to state-of-the-art circuitry your XENYX console produces 

a warm analog sound that is unrivalled. With the addition of the latest digital 

technology these best-in-class consoles combine the advantages of both analog 

and digital technology.
The microphone channels feature high-end XENYX Mic Preamps that compare 

well with costly outboard preamps in terms of sound quality and dynamics and 

boast the following features:

130 dB dynamic range for an incredible amount of headroom

A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear 

reproduction of even the finest nuances

The extremely low-noise and distortion-free circuitry guarantees absolutely 

natural and transparent signal reproduction

They are perfectly matched to every conceivable microphone with up to 

60 dB gain and +48 volt phantom power supply

They enable you to use the greatly extended dynamic range of your 

24-bit/192-kHz HD recorder to the full, thereby maintaining optimal 

audio quality

“British EQ”
The equalizers used for the XENYX Series are based on the legendary circuitry of 

top-notch consoles made in Britain, which are renowned throughout the world 

for their incredibly warm and musical sound character. Even with extreme gain 

settings these equalizers ensure outstanding audio properties.

Multi-effects processor
Additionally, your XENYX mixing console has an effects processor with 24-bit A/D 

and D/A converters included, which gives you 100 presets producing first-class 

reverb, delay and modulation effects plus numerous multi-effects in excellent 

audio quality.

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A mixing console fulfils three main functions:

Signal processing: 
Preamplification
Microphones convert sound waves into voltage that has to be amplified 

several-fold; then, this voltage is turned into sound that is reproduced 

in a loudspeaker. Because micro phone capsules are very delicate in their 

construction, output voltage is very low and therefore susceptible to 

interference. Therefore, mic signal voltage is amplified directly at the mixer 

input to a higher signal level that is less prone to interference. This higher, 

interference-safe signal level has to be achieved through amplification using 

an amplifier of the highest quality in order to amplify the signal and add 

as little noise to it as possible. The XENYX Mic Preamp performs this role 

beautifully, leaving no traces of noise or sound coloration. Interference that 

could take place at the preamplification level could affect signal quality 

and purity, and would then be passed on to all other devices, resulting in 

inaccurate sounding program during recording or playback.
Level-setting
Signals fed into the mixer using a DI-box (Direct Injection) or the output of a 

sound card or a keyboard, often have to be adjusted to the operating level of 

your mixing console.
Frequency response correction
Using the equalizers found in each channel strip, you can simply, quickly and 

effectively adjust the way a signal sounds.

Signal distribution: 
Individual, processed signals from the channel strips are compiled on busses 

and are fed into the main section for further processing. Connections for 

recording equipment, power amplifiers, headphones as well as CD/tape 

connectors are available here. The mix is sent to the internal FX processors or 

external effects processors via aux sends and returns. Similarly, a mix can be 

created for the musicians on the stage (monitor mix).

Mix: 
All other mixing console functions fall under this vital category. Creating a 

mix means primarily adjusting the volume levels of individual instruments 

and voices to one another as well as giving them the appropriate weight 

within the overall frequency spectrum. Likewise, you’ll have to sensibly 

spread individual voices across the stereo image of a signal. At the end of 

this process, adjusting the level of the entire mix to other equipment in the 

signal path is required (e. g. recorder/crossover/amplifier).

The interface of BEHRINGER mixing consoles is optimized for these tasks, 

enabling you to easily keep track of the signal path.

The user’s manual is designed to give you both an overview of the controls, 

as well as detailed information on how to use them. In order to help you 

understand the links between the controls, we have arranged them in groups 

according to their function. If you need to know more about specific issues, 

please visit our website at http://behringer.com. Additional information and 

explanations about various music industry/audio technology terminology 

can be found on individual product pages as well as in the glossary area 

of behringer.com. 

For the moment, just try and trace the signal path from the microphone input 

to the FX SEND connector. Don’t be put off by the huge range of possibilities; 

it’s easier than you think! If you look at the overview of the controls at the same 

time, you’ll be able to quickly familiarize yourself with your mixing console and 

you’ll soon be making the most of all its many possibilities.