Peavey GTX 用户手册
GT
X
P
AGE
2
C
ENTURY
S
ERIES
Feature Overview
• Extensive Meter bridge provides signal level metering of
LEFT, RIGHT, CENTER/MONO, SOLO LEFT, SOLO
RIGHT, and 8 SUBGROUPS. The LEFT, RIGHT, CEN-
TER/MONO and SOLO meters are of a larger size and are
centered on the meter bridge. For 64 and 52 positions frames
sizes only, metering is also provided for the 8 AUX SENDS.
All level meters are of the mechanical moving coil type, are
referenced to +4 dBu, and are illuminated by long-life LED’s.
LEFT, RIGHT, CENTER/MONO, SOLO LEFT, SOLO
RIGHT, and 8 SUBGROUPS. The LEFT, RIGHT, CEN-
TER/MONO and SOLO meters are of a larger size and are
centered on the meter bridge. For 64 and 52 positions frames
sizes only, metering is also provided for the 8 AUX SENDS.
All level meters are of the mechanical moving coil type, are
referenced to +4 dBu, and are illuminated by long-life LED’s.
• Variable Hi-Pass filter on input channels allows for precise
control over a signal’s unwanted low frequency content.
control over a signal’s unwanted low frequency content.
• Channel inserts are implemented using separate 1/4" TRS
jacks for send and return. An insert switch with indicator LED
allows A/B comparisons and signal processor bypass.
jacks for send and return. An insert switch with indicator LED
allows A/B comparisons and signal processor bypass.
• Switchable Q on Hi Mid and Lo Mid EQ bands adds more
flexibility to an EQ circuit that already offers four sweepable
bands and selectable peak/shelving on the Hi and Lo bands.
flexibility to an EQ circuit that already offers four sweepable
bands and selectable peak/shelving on the Hi and Lo bands.
• Dual concentric send controls for auxes 1&2, and 3&4, in
addition to sends 5-8 allow each input to send onto any or all
of the 8 aux buses, while occupying a minimal amount of mod-
ule space.
addition to sends 5-8 allow each input to send onto any or all
of the 8 aux buses, while occupying a minimal amount of mod-
ule space.
• AUX pre/post switches. The first four aux sends can be
selected to be pre or post by the Aux 1-4 pre/post switch. In
addition, Aux pairs 5&6 and 7&8 each have designated
pre/post switches. The Pre source is internally selectable to
Pre-EQ or Pre-Fader.
selected to be pre or post by the Aux 1-4 pre/post switch. In
addition, Aux pairs 5&6 and 7&8 each have designated
pre/post switches. The Pre source is internally selectable to
Pre-EQ or Pre-Fader.
• Discreet bus assignments and L-C-R (Left-Center-Right)
panning. Input channels and Effects Returns incorporate an
uncompromised bus assignment section. Features include true
L-C-R panning, standard panning, clean mono bus, discrete
bus assigns, and panable stereo bus assigns.
panning. Input channels and Effects Returns incorporate an
uncompromised bus assignment section. Features include true
L-C-R panning, standard panning, clean mono bus, discrete
bus assigns, and panable stereo bus assigns.
• Each input channel features a five-segment LED array,
including a signal present LED, three signal level LEDs and a
peak indicator.
including a signal present LED, three signal level LEDs and a
peak indicator.
• SSM/PMI high-quality preamplifiers on balanced micro-
phone/line inputs for uncompromised audio quality and relia-
bility. All IC’s within the audio path are socket mounted for
easy upgrade or service.
phone/line inputs for uncompromised audio quality and relia-
bility. All IC’s within the audio path are socket mounted for
easy upgrade or service.
• 48 Volt switchable phantom power on all microphone inputs.
• Optional transformers available on all microphone inputs and
on Group, Left/Right, Mono, Aux, and Matrix outputs.
on Group, Left/Right, Mono, Aux, and Matrix outputs.
• Mono/Stereo PFL (Pre-Fader-Listen) and AFL (After-Fader-
Listen) system. When a stereo module is used, the signal is
monitored in stereo while mono modules are monitored in
mono. Selected outputs may be monitored in mono or as stereo
pairs.
Listen) system. When a stereo module is used, the signal is
monitored in stereo while mono modules are monitored in
mono. Selected outputs may be monitored in mono or as stereo
pairs.
• Standard frame sizes include 44, 52, and 64 positions. The
Master section occupies four positions and Groups occupy
eight positions.
Master section occupies four positions and Groups occupy
eight positions.
• Any frame size may be ordered short loaded for later expan-
sion.
sion.
• Direct access to Group Mix buses allows expander mixers to
be easily patched into the console.
be easily patched into the console.
• Full facility effects return section includes Gain Control to
handle a wide range of input levels, High and Low frequency
EQ, Aux Sends, expanded bus assignment section, and level,
pan, PFL and Mute controls.
handle a wide range of input levels, High and Low frequency
EQ, Aux Sends, expanded bus assignment section, and level,
pan, PFL and Mute controls.
• Mute system on input channels is designed to mute both pre-
and post-fader signals including those Aux sends used as mon-
itors. When muted, PFL circuitry, Peak, Level, and Dynamic
Signal Present LED indicators remain fully operational.
and post-fader signals including those Aux sends used as mon-
itors. When muted, PFL circuitry, Peak, Level, and Dynamic
Signal Present LED indicators remain fully operational.
• Twin power supply capability with automatic changeover
backup for uncompromised reliability. Second power supply
optional.
backup for uncompromised reliability. Second power supply
optional.
• Optional Matrix modules available, useful for the creation of
independent mixes using the main outputs and External Input
as signal sources.
independent mixes using the main outputs and External Input
as signal sources.
• Optional Stereo Input modules available, useful for remote
feeds, effects inputs, and other mic or line level signals requir-
ing stereo handling.
feeds, effects inputs, and other mic or line level signals requir-
ing stereo handling.
• Comprehensive Talkback section allows access to all primary
console outputs. Additional access provided to an external
location such as an on-stage monitor mixer system. External
signals can also be assigned into the talkback system including
Oscillator and Pink Noise source inputs.
console outputs. Additional access provided to an external
location such as an on-stage monitor mixer system. External
signals can also be assigned into the talkback system including
Oscillator and Pink Noise source inputs.
• Left/Right summing switches to Aux 1-2 and Aux 3-4 allow
for simple setups of mixes by allowing Left/Right signals to be
blended with auxiliary mixes when used in recording applica-
tions. In contracting applications, this feature allows these Aux
outputs to act as additional distribution amplifiers for the
Left/Right signals.
for simple setups of mixes by allowing Left/Right signals to be
blended with auxiliary mixes when used in recording applica-
tions. In contracting applications, this feature allows these Aux
outputs to act as additional distribution amplifiers for the
Left/Right signals.