Roland Vs-880 用户手册
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Mic Simulator
This modifies sound that was recorded by a conventional dynamic mic, lapel mic or direct line,
causing it to sound as though it had been recorded by an expensive condenser mic or a special stu-
dio mic. The mic simulator can add effects of proximity or distance.
causing it to sound as though it had been recorded by an expensive condenser mic or a special stu-
dio mic. The mic simulator can add effects of proximity or distance.
LNK (Link)
MSLink
Off, On
MSLink (Mic simulator link)
This is the link switch for channels A and B. If this is off, the two channels will function indepen-
dently as two monaural channels.
If this is on, both channels will be controlled simultaneously by the settings of channel A.
dently as two monaural channels.
If this is on, both channels will be controlled simultaneously by the settings of channel A.
MCA/MCB (Mic converter channel A / channel B)
MicConv
Off, On
Input
DR-20, Sml.Dy, Hed.Dy, Min.Cn, Flat
Out
Sml.Dy, Voc.Dy, Lrg.Dy, Sml.Cn, Lrg.Cn, Vnt.Cn, Flat
Phase
Normal, Invers
MicConv (Mic converter)
Turn the mic converter on/off. If this is off, the following items will not be displayed.
Input
Select the type of mic that was actually used to record.
DR-20:
Roland DR-20
Sml.Dy:
Small Dynamic Microphone
Hed.Dy:
Head-worn Dynamic Microphone
Min.Cn:
Miniature Condenser Microphone
Flat:
Line Input
Out
Specify the mic that will be simulated.
Sml.Dy:
General purpose dynamic mic for instruments or vocals.
Ideal for guitar amp or snare drum.
Ideal for guitar amp or snare drum.
Voc.Dy:
A popular dynamic mic for vocals.
Characterized by a tight mid-range. Use for vocals.
Characterized by a tight mid-range. Use for vocals.
Lrg.Dy:
Dynamic mic with extended low end.
Use for bass drum or tom, etc.
Use for bass drum or tom, etc.
Sml.Cn:
Small condenser mic for instruments.
Characterized by a sparkling high range. Use for metallic percussion or acoustic guitar.
Characterized by a sparkling high range. Use for metallic percussion or acoustic guitar.
Lrg.Cn:
Condenser mic with flat response.
Use for vocals, narration, or acoustic instruments etc.
Use for vocals, narration, or acoustic instruments etc.
< Microphone
➝
Microphone conversion >
This converts the characteristics of an inexpensive general purpose mic into the characteristics of
an expensive studio mic. For an already-recorded sound, it can create the same tonal change as if
the type or distance of the mic had been changed.
an expensive studio mic. For an already-recorded sound, it can create the same tonal change as if
the type or distance of the mic had been changed.
< Line
➝
Microphone conversion >
This adds a feeling of ÒairÓ to an instrumental sound that was recorded by direct line input, caus-
ing it to sound as though it had been recorded with a microphone.
ing it to sound as though it had been recorded with a microphone.
Mic Converter
Bass Cut Filter
Distance
Limiter
Mic Converter
Bass Cut Filter
Distance
Limiter
Link
Input A
Input B
Output A
Output B
Chapter 1 Trying out the expanded functions
32