Roland C-230 用户手册

 

When you’ve finished assembling the stand, please read the section 
“Getting Ready to Play” and make the correct preparations for 
turning on the power.

This manual explains what you need to know to take full advantage 
of the C-230, divided into a Basic Operation section and an 
Advanced Operation section.

In order to present information as concisely as possible, this manual 
uses the following conventions.

• Text enclosed in square brackets [  ] indicates the name of a 

button (or knob); e.g., “the [8’I] button.”

• Text preceded by a symbol such as 

 or an asterisk (*) are 

warnings. Please be sure to read these.

• Pages to which you can refer to for further information are 

indicated like this: (p. **) 

 

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Grand, glorious sound is the hallmark of the classic organ. 
Providing a rich and spacious ensemble sound complemented 
by crystal-clear definition, the C-230 will take you to new 
musical heights, while sustaining the tradition of quality, 
craftsmanship and innovation.

The sound-producing mechanism of the harpsichord, the sound 
of the key release, and the resonance of the sounding board 
have been carefully analyzed, and digital technology is used to 
reproduce faithfully even the sound of the plectrum contacting 
the string when a key is released. You’ll be able to enjoy 
beautiful and realistic harpsichord sound. 

The fortepiano, the precursor of the piano as we know it today, 
produces its sounds via its strings that are struck by hammers 
operated by a keyboard. The fortepiano is built entirely of 
wood, the strings are struck by hammers covered in hide, 
producing a metallic and brilliant sound. It enabled artists to 
pave new ways and therefore explore new possibilities of 
expression.

In addition, there are 18 “Others” sounds that can be used either 
in isolation or together with the organ section for a richer 
sound.

 

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In addition to equal temperament, you can choose from 
Werckmeister, Kirnberger, Vallotti, and Meantone, giving you 
five temperaments that can be easily selected by pressing a 
single button.

There’s also a Transpose function, which makes it easy to 
transpose the pitch for additional ways to vary your 
performance.

 

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Not only will you never need to replace the plectrums or 
strings, you’ll also never need to tune this instrument. 

Moreover, the C-230 is not affected by vibration or changes in 
humidity or temperature. You’ll always be performing with 
precisely accurate pitches guaranteed by digital technology.

It’s also easy to adjust the tuning to match other instruments.

You can furthermore use a single button to easily switch to 
Baroque pitch (A= 415Hz) or Versailles pitch (A= 392 Hz) or the 
default tuning (A= 440Hz).

 

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The built-in digital reverb lets you choose the reverberation of a 
variety of environments, ranging from a small room to a large 
hall. You can perform using acoustics that are appropriate for 
the space you are in.

 

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Whether you’re at home, in a small hall, or in a large hall, you 
can adjust the volume as appropriate for your situation or the 
ensemble with whom you’re performing. You can also use 
headphones, so you’ll feel free to practice at any time.

 

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While reflecting the historical tradition of the classic organ, the 
harpsichord, and the fortepiano, and other sounds, the C-230 
provides the advantage of light weight and compact form. Since 
the main body can be detached from the stand, transportation 
and setup are easy.

 

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The C-230 comes with four sections for various types of classical 
music: “Organ” (Organ Bass + Classic Organ), “Harpsichord”, 
“Fortepiano” and “Others”.

 

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Other highlights include satellite speakers for an enhanced 
spatial sensation, a highly intuitive user interface, an elegant 
finish, and an self-contained solution that includes both the 
stand and matching decorative elements.

 

C-230_00_e.fm  Page 10  Wednesday, May 20, 2009  11:39 AM