Roland g-70 业主指南
230
r
G-70 Music Workstation
14. Space-D
This is a multiple chorus that applies two-phase modulation
in stereo. It gives no impression of modulation, but produces
a transparent chorus effect.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
This is a multiple chorus that applies two-phase modulation
in stereo. It gives no impression of modulation, but produces
a transparent chorus effect.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
● Chorus Depth (0~127)—Modulation intensity.
● Chorus Phase (0~180deg)—Spatial spread of the sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
● Chorus Phase (0~180deg)—Spatial spread of the sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
15. St. Chorus
This is a stereo chorus. A filter is provided so that you can
adjust the timbre of the chorus sound.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
This is a stereo chorus. A filter is provided so that you can
adjust the timbre of the chorus sound.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
● Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
● Chorus Depth (0~127)—Modulation intensity.
● Chorus Phase (0~180 deg)—Spatial spread of the sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
● Chorus Phase (0~180 deg)—Spatial spread of the sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
16. St. Flanger
This is a stereo flanger. It produces a metallic resonance that
rises and falls like a jet airplane taking off or landing.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
This is a stereo flanger. It produces a metallic resonance that
rises and falls like a jet airplane taking off or landing.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
is heard.
● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
● Flanger Depth (0~127)—Modulation intensity.
● Flanger Phase (0~180 deg)—Spatial spread of the sound.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
● Flanger Phase (0~180 deg)—Spatial spread of the sound.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
Negative (–) settings will invert the phase.
● EQ Low Gain (-15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
17. Step Flanger
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
● Step Rate (0.10~20.0Hz, note)—Rate (period) of pitch
change
● Flanger Phase (0~180deg)—Spatial spread of the sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
● EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
● EQ High Gain (–15dB~0~15dB)—Gain of the high range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
18. St. Delay
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
● Delay FBK Mode (Normal, Cross)—Select the way in which
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
● Delay FBK Mode (Normal, Cross)—Select the way in which
delay sound is fed back into the effect. NORMAL: The left
delay sound will be fed back into the left delay and the
right delay sound into the right delay. CROSS: The left
delay sound will be fed back into the right delay and the
right delay sound into the left delay.
delay sound will be fed back into the left delay and the
right delay sound into the right delay. CROSS: The left
delay sound will be fed back into the right delay and the
right delay sound into the left delay.
● Delay Left (0.0~500.0ms)—Adjust the time from the direct
sound until when the left delay sound is heard.
● Delay Right (0.0~500.0ms)—Adjust the time from the
direct sound until when the right delay sound is heard.
● FBK Phase Left (Normal, Invert)—Select the phase of the
left delay sound. NORMAL: Phase is not changed. INVERT:
Phase is inverted.
Phase is inverted.
● FBK Phase Right (Normal, Invert)—Select the phase of the
left delay sound. NORMAL: Phase is not changed. INVERT:
Phase is inverted.
Phase is inverted.
● Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
settings invert the phase.
● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.