Roland g-70 业主指南

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G-70 Music Workstation

Another important choice is how you want to transmit 
note information to the Arranger.

(4) Press the [STANDARD], [PIANO¥STYLE] or 

[INTELLIGENT] field.

● STANDARD—This is the normal chord recognition mode. 

The melodic accompaniment uses the notes you play in 
the chord recognition area (“ZONE”). If you play only one 
note in that area, the accompaniment plays only that 
note, i.e. it assumes that you deliberately chose to omit 
the third and fifth of your “chord”. 
To have the Music Style sound a major, minor or seventh 
chord, you only need to play three notes, by the way. 
Other, more complex, chords require that you press four 
keys.

● PIANO STYLE—This mode works as follows: the Arranger 

decodes every chord you play – no matter where you 
play it. Causing the Arranger to play another chord 
requires that you play at least a triad (i.e. the three notes 
that make up a major or minor chord). You can play 
more than three chord notes but remember that two 
notes won’t cause the Arranger to change the key. 

Note: You can also select PIANO STYLE by pressing the EASY 
SETTING [PIANO] button. 

● INTELLIGENT—Select INTELLIGENT when you want the 

Arranger to supply the missing notes of the chords you 
play. See p. 249 for a chart of intelligent chords and the 
way to play them. This is probably the mode you will 
select most of the time.

(5) Press the [EXIT] button to return to the main page.

Note: The choice you make here also affects the “Arpeggio 
Oct” and “Chord Oct” options of the D Beam Controller. See 
page 66.

The ARRANGER HOLD function sustains the notes you 
play in the chord recognition area (“ZONE”) until you 
play other notes. This function is switched on by 
default, so that you can briefly play the chord for a 
given bar and then release all keys in the chord recog-
nition area. If the [ARRANGER¥HOLD] icon indicator is 
dark, the melodic accompaniment (bass and other 
parts) stops as soon as you release all keys in the chord 
recognition area (only the drums keep playing). 

(1) Select the ARRANGER SETTING page (see step (1) of 

(2) Press the [ARRANGER¥HOLD] button icon to switch 

the function off (dark) or on (lights).

(3) Press the [EXIT] button to return to the main page 

or continue with the next step.

If the Intro and Ending patterns sound odd when you 
start a song with a rather unusual chord (“Csus4”, for 
instance), switch off the ALTERATION function. In that 
case, the “special” chord is memorized, but the Intro or 
Ending uses the normal chord progression (e.g. C, Am, F, 
G). If this button icon is on, however, the chord pro-
gression of the selected Intro (or Ending) patterns is 
adapted to the first chord you play – which may lead to 
odd results.

If ALTERATION is off, the Arranger only switches to the 
“special” chord once the Intro/Ending is finished.

(1) Select the ARRANGER CHORD page (see step (1) of 

(2) Press the [INTRO¥ENDING¥ALTERATION] button icon 

to switch that function off (dark) or on (lights).

(3) Press the [EXIT] button to return to the main page 

or continue with the next step.

The DYNAMIC ARRANGER function allows you to con-
trol the volume and timbre of the Arranger parts via the 
way you strike the keys in the chord recognition area 
(velocity sensitivity). 

(1) Select the ARRANGER CHORD page (see step (1) of 

(2) Press the [DYNAMIC¥ARRANGER] button icon to 

switch the Arranger’s velocity sensitivity off (dark) 
or on (lights).

This function only becomes meaningful if you also 
specify how the various Arranger parts should 
respond to your velocity. 

(3) Press the [DYNAMIC¥EDIT] field.

(4) Press the field of the Arranger part whose velocity 

sensitivity you wish to change.