Roland JUNO-G 业主指南
105
Recording a Song (Audio Track)
*
You can also use the SOUND MODIFY knobs 1–4 to edit the value of
the corresponding parameters.
the corresponding parameters.
• 01: EQUALIZER
Adjusts the tone of the low-frequency and high-frequency ranges.
• 02: ENHANCER
Modifies the harmonic content of the high-frequency range to
add sparkle to the sound.
add sparkle to the sound.
• 03: COMPRESSOR
Restrains high levels and boosts low levels to make the overall
volume more consistent.
volume more consistent.
• 04: LIMITER
Compresses the sound when it exceeds a specified volume, to
keep distortion from occurring.
keep distortion from occurring.
• 05: NOISE SUPPRESSOR
Suppresses noise during periods of silence.
• 06: CENTER CANCELER
Removes the sounds that are localized at the center of the stereo
input. This is a convenient way to eliminate a vocal.
input. This is a convenient way to eliminate a vocal.
When you enter the INPUT FX SETUP screen, the indicators
located at the left of SOUND MODIFY knobs 1--4 will go dark;
in this state, knobs 1--4 are used to edit the parameters of the
input effect. If you press the button once again to make the
indicator light, the knobs will return to their normal function.
When you exit the Input Effect Setup screen, the indicator will
automatically return to its previous lit state.
located at the left of SOUND MODIFY knobs 1--4 will go dark;
in this state, knobs 1--4 are used to edit the parameters of the
input effect. If you press the button once again to make the
indicator light, the knobs will return to their normal function.
When you exit the Input Effect Setup screen, the indicator will
automatically return to its previous lit state.
5.
Press [EXIT] to return to the previous screen.
Here’s how to record the input from an AUDIO INPUT jack or from
the internal sound generator.
the internal sound generator.
1.
Press SONG RECORDER [AUDIO TRACK].
The AUDIO TRACK screen appears.
2.
Press [REC].
The [REC] indicator will blink, and the Audio Rec Standby
window will appear.
window will appear.
3.
Use the Audio Rec Mode (Audio Recording Mode) field to
select the recording method you want to use.
Use [
] [
] to move the cursor to Audio Rec Mode, and turn
the VALUE dial or use [INC][DEC] to select the desired
recording mode.
recording mode.
•
SOLO
The internal sound generator will play as usual, and only the
sound from the external audio input will be recorded.
sound from the external audio input will be recorded.
*
You won’t be able to apply effects to the external audio input.
•
RE-SAMPLING
The sound from the internal sound generator (including the
audio tracks) will be recorded. The external audio input will not
be heard.
audio tracks) will be recorded. The external audio input will not
be heard.
*
The volume of a resampled phrase may be less than the original volume
of the phrase. As necessary, use Normalize (p. 121) to raise the volume.
of the phrase. As necessary, use Normalize (p. 121) to raise the volume.
*
Audio tracks whose Audio Track Output Assign (p. 111) parameter is
set to MON (Monitor) will not be recorded.
set to MON (Monitor) will not be recorded.
•
AUDIO MERGE
Multiple audio tracks will be combined into one audio track.
For details, refer to
For details, refer to
4.
Use the Audio Rec Count In (Audio Recording Count In)
field to specify how you want recording to start.
Use [
] [
] to move the cursor to Audio Rec Count In, and turn
the VALUE dial or use [INC][DEC] to choose the desired setting.
•
OFF
Recording will start the moment you press [PLAY].
•
1 MEAS
When you press [PLAY], there will be a count-in (playback)
beginning one measure before the recording start point.
Recording will start when you reach the recording start point.
beginning one measure before the recording start point.
Recording will start when you reach the recording start point.
•
2 MEAS
When you press [PLAY], there will be a count-in (playback)
beginning two measures before the recording start point.
Recording will start when you reach the recording start point.
beginning two measures before the recording start point.
Recording will start when you reach the recording start point.
Parameter
Range
Explanation
Low Freq
200, 400 Hz
Center frequency of the low-
frequency range
frequency range
Low Gain
-15–+15 dB
Amount of low-frequency
boost/cut
boost/cut
High Freq
2000, 4000, 8000 Hz
Center frequency of the high-
frequency range
frequency range
High Gain
-15–+15 dB
Amount of high-frequency
boost/cut
boost/cut
Parameter
Range
Explanation
Sens
0–127
Depth of the enhancer effect
Mix
0–127
Volume of the harmonics that are generated
Parameter
Range
Explanation
Attack
0–127
Time from when the input exceeds the
Threshold until the volume begins to be
compressed
Threshold until the volume begins to be
compressed
Threshold
0–127
Volume level at which compression will
begin
begin
Post Gain
0–+18 dB
Level of the output sound
Parameter
Range
Explanation
Release
0–127
Time from when the input falls below the
Threshold until compression ceases
Threshold until compression ceases
Threshold
0–127
Volume level at which compression will
begin
begin
Post Gain
0–+18 dB
Level of the output sound
Parameter
Range
Explanation
Threshold
0–127
Volume at which noise suppression will begin
Release
0–127
Time from when noise suppression begins
until the volume reaches zero.
until the volume reaches zero.
Parameter
Range
Explanation
Ch Balance
-50– +50
Volume balance of the L (left) and R
(right) channels for removing the sound
(right) channels for removing the sound
Range Low
16–15000 Hz
Lower frequency limit of the band to
be removed
be removed
Range High
16–15000 Hz
Upper frequency limit of the band to
be removed
be removed
Recording an Audio Track
(SOLO/RE-SAMPLING)
(SOLO/RE-SAMPLING)
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