Roland JUNO-G 业主指南
152
Adding Effects
76: FLANGER
→
DELAY
fig.MFX-76
77: CHORUS
→
FLANGER
fig.MFX-77
78: SYMPATHETIC RESONANCE
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these
sympathetic resonances.
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these
sympathetic resonances.
fig.MFX-78
Parameter
Value
Explanation
Flanger Pre
Delay
Delay
0.0–100.0 ms
Adjusts the delay time from
when the direct sound begins
until the flanger sound is
heard.
when the direct sound begins
until the flanger sound is
heard.
Flanger Rate #
0.05–10.00 Hz, note
Frequency of modulation
Flanger Depth
0–127
Depth of modulation
Flanger
Feedback #
Feedback #
-98– +98 %
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Flanger
Balance #
Balance #
D100:0W–D0:100W
Volume balance between the
direct sound (D) and the
flanger sound (W)
direct sound (D) and the
flanger sound (W)
Delay Time
0–2600 ms, note
Adjusts the delay time from
the direct sound until the delay
sound is heard.
the direct sound until the delay
sound is heard.
Delay
Feedback #
Feedback #
-98– +98 %
Adjusts the proportion of the
delay sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
delay sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Delay HF
Damp
Damp
200–8000 Hz,
BYPASS
BYPASS
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
Delay
Balance #
Balance #
D100:0W–D0:100W
Adjusts the volume balance be-
tween the sound that is sent
through the delay (W) and the
sound that is not sent through
the delay (D).
tween the sound that is sent
through the delay (W) and the
sound that is not sent through
the delay (D).
Level
0–127
Output Level
Parameter
Value
Explanation
Chorus Pre
Delay
Delay
0.0–100.0 ms
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
direct sound until the chorus
sound is heard.
Chorus Rate #
0.05–10.00 Hz, note
Modulation frequency of the
chorus effect
chorus effect
Chorus Depth
0–127
Modulation depth of the chorus
effect
effect
Chorus
Balance #
Balance #
D100:0W–D0:100W
Volume balance between the di-
rect sound (D) and the chorus
sound (W)
rect sound (D) and the chorus
sound (W)
Flanger Pre
Delay
Delay
0.0–100.0 ms
Adjusts the delay time from
when the direct sound begins
until the flanger sound is heard.
when the direct sound begins
until the flanger sound is heard.
Flanger Rate #
0.05–10.00 Hz, note
Modulation frequency of the
flanger effect
flanger effect
Flanger Depth
0–127
Modulation depth of the flanger
effect
effect
Feedback
Delay
L in
R in
L out
R out
Balance W
Balance W
Balance D
Balance D
Flanger
Balance W
Balance W
Balance D
Balance D
Feedback
Feedback
Flanger
L in
R in
L out
R out
Balance W
Balance W
Balance D
Balance D
Chorus
Balance W
Balance W
Balance D
Balance D
Flanger
Feedback #
Feedback #
-98– +98 %
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Flanger
Balance #
Balance #
D100:0W–D0:100W
Adjusts the volume balance be-
tween the sound that is sent
through the flanger (W) and the
sound that is not sent through
the flanger (D).
tween the sound that is sent
through the flanger (W) and the
sound that is not sent through
the flanger (D).
Level
0–127
Output Level
Parameter
Value
Explanation
Depth #
0–127
Depth of the effect
Damper #
0–127
Depth to which the damper ped-
al is pressed (controls the reso-
nant sound)
al is pressed (controls the reso-
nant sound)
Pre LPF
16–15000 Hz,
BYPASS
BYPASS
Frequency of the filter that cuts
the high-frequency content of the
input sound (BYPASS: no cut)
the high-frequency content of the
input sound (BYPASS: no cut)
Pre HPF
BYPASS,
16–15000 Hz
16–15000 Hz
Frequency of the filter that cuts
the low-frequency content of the
input sound (BYPASS: no cut)
the low-frequency content of the
input sound (BYPASS: no cut)
Peaking Freq
200–8000 Hz
Frequency of the filter that
boosts/cuts a specific frequency
region of the input sound
boosts/cuts a specific frequency
region of the input sound
Peaking Gain
-15– +15 dB
Amount of boost/cut produced
by the filter at the specified fre-
quency region of the input sound
by the filter at the specified fre-
quency region of the input sound
Peaking Q
0.5, 1.0, 2.0, 4.0, 8.0
Width of the frequency region
boosted/cut by the ‘Peaking
Gain’ parameter (larger values
make the region narrower)
boosted/cut by the ‘Peaking
Gain’ parameter (larger values
make the region narrower)
HF Damp
16–15000 Hz,
BYPASS
BYPASS
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no
cut)
quency content of the resonant
sound will be cut (BYPASS: no
cut)
LF Damp
BYPASS,
16–15000 Hz
16–15000 Hz
Frequency at which the low-fre-
quency content of the resonant
sound will be cut (BYPASS: no
cut)
quency content of the resonant
sound will be cut (BYPASS: no
cut)
Lid
1–6
This simulates the actual chang-
es in sound that occur when the
lid of a grand piano is set at dif-
ferent heights.
es in sound that occur when the
lid of a grand piano is set at dif-
ferent heights.
EQ Low Freq
200, 400 Hz
Frequency of the low-range EQ
EQ Low Gain
-15– +15 dB
Amount of low-range boost/cut
EQ Mid Freq
200–8000 Hz
Frequency of the midrange EQ
EQ Mid Gain
-15– +15 dB
Amount of midrange boost/cut
EQ Mid Q
0.5, 1.0, 2.0, 4.0, 8.0
Width of midrange (larger val-
ues make the region narrower)
ues make the region narrower)
EQ High Freq
2000, 4000, 8000 Hz
Frequency of the high-range EQ
EQ High Gain
-15–+15 dB
Amount of high-range boost/cut
Level
0–127
Output Level
Parameter
Value
Explanation
L in
R in
L out
R out
Syn. Resonance
3-Band
EQ
3-Band
EQ
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