Roland JUNO-G 业主指南

 

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Kbd

OFF, ON (

 

✔

 

)

Specifies, for each part, whether or not the keyboard controller section will be connected to the internal sound generator.

K.L

C - –(Upper)

Lowest note that the tone will sound for each part.

K.U

(Lower)–G9

Highest note that the tone will sound for each part

When the Key Range (p. 37) is set for each individual tone in a patch, sounds are produced in the range where the Key Range 
of each tone and the Key Range for the part overlap.

Velo

-63– +63

Changes the volume and cutoff frequency for each part according to the velocity with which the keys are pressed.

If you want strongly played notes to raise the volume/cutoff frequency, set this parameter to positive (+) settings. If you 
want strongly played notes to lower the volume/cutoff frequency, use negative (-) settings. Set Velocity Sensitivity to “0” 
when you want sounds played at a fixed volume and cutoff frequency, regardless of the force with which the keys are 
played.

Curve

OFF, 1–4

Selects for each MIDI channel one of the four following Velocity Curve types that best matches the touch of the connected MIDI 
keyboard.

Set this to “OFF” if you are using the MIDI keyboard’s own velocity curve.

Voice

0–63, FUL

This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simulta-
neously.

 

Ch

1–16

MIDI receive channel for each part

 

Mono/Poly

MONO, POLY, 
PAT

Set this parameter to “MONO” when the patch assigned to the part is to be played monophonically, or to “POLY” when the 
patch is to be played polyphonically. If you want to use the Mono/Poly setting of the patch assigned to the part (p. 37), set this 
to “PAT.”

 

Legato

OFF, ON, PAT

You can add legato when performing monophonically. The term “legato” refers to a playing style in which notes are smoothly 
connected to create a flowing feel. This creates a smooth transition between notes, which is effective when you wish to simulate 
the hammering-on and pulling-off techniques used by a guitarist.

Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t. If you want to use the Le-
gato Switch setting of the patch assigned to the part (p. 37), set this to “PAT.”

 

Portament

OFF, ON, PAT

Specify whether portamento will be applied.

Turn this parameter “ON” when you want to apply Portamento and “OFF” when you don’t. If you want to use the Porta-
mento Switch setting of the patch assigned to the part (p. 37), set this to “PAT.”

Time

0–127, PAT

When portamento is used, this specifies the time over which the pitch will change.

Higher settings will cause the pitch change to the next note to take more time. If you want to use the Portamento Time setting 
of the patch assigned to the part (p. 37), set this to “PAT.”

 

Part Scale Tune for C–B

-64– +63

Make scale tune settings for each part.

Key range specified for Performance

Key range specified for Patch

The range in which notes will play

The JUNO-G is able to play up to 128 notes simultaneously. The 
polyphony, or the number of voices (sounds) does not refer only 
to the number of sounds actually being played, but changes 
according to the number of tones used in the patches, and the 
number of Waves used in the tones. The following method is used 

to calculate the number of sounds used for one patch being 
played.
(Number of Sounds Being Played) x (Number of Tones Used by 
Patches Being Played) x (Number of Waves Used in the Tones)
Realtime Stretch requires twice the normal polyphony.

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