Roland KR-115 业主指南

下载
页码 228
 
156
Chapter 9 Creating Music Styles
 
Chapter 9
 
 
Creating Styles in Auto Mode
 
Points to note when creating songs
 
• Use one of the major, minor, or diminished seventh 
chords to create the song. We recommend using 
diminished seventh chords to compose the song.
• It is convenient to record the sounds shown below for 
the Parts of the 16-track sequencer.
 
 
When using parts other than Part 2, 7, 8, 9, and D, refer to 
“Changing an Extracted Part” (p. 157).
 
Creating songs
 
1.
 
Use the 16-track sequencer to record the song.
 
 
Displaying the Style Converter screen
 
2.
 
Press the [Menu] button.
 
The “Composer Menu” or the “A/V Sync” screen 
appears.
 
3.
 
Touch <Style Converter>.
 
* If no song for use in creating a new Style is selected, the 
message “Please select a song” appears. Use the [Song] button 
to select a song (p. 75), then start the procedure again.
* If a User Style has already been recorded, a message like the 
one shown below appears.
 
fig.m-styledel.eps
 
Touch <Cancel> to return to The “Composer Menu” screen. 
Please save the User Style on an external memory or in the 
internal memory (p. 158).
When you touch <OK>, the previously recorded User Style is 
deleted, and a new User Style is created.
 
A “Style Converter screen” like the one shown appears.
 
fig.d-styleconv.eps_50
 
Making the Settings
 
4.
 
Touch <Conv.Mode>, then use the dial to switch the 
mode to “Auto.”
 
This makes the setting for the Auto mode.
 
5.
 
Touch <Chord Root> and <Chord Type>, then use the 
dial to input the chord root and type for the segment to 
be extracted.
 
6.
 
Touch <Division>, then use the dial to select the 
Division.
 
* Only one measure can be extracted when “Fill To Vari” or 
“Fill To Ori” is selected for the Division. The number of 
measures may also be limited in other Divisions.
 
Rhythm
Bass
Accomp
1
Accomp
2
Accomp
3
 
D (10)
2
7
8
9
 
Parameter 
Name
Settings Content
Conv.Mode
 
Switches the mode (Auto/Manual)
 
Chord Root
 
Chord root for the segment to be 
extracted
 
Chord Type
 
Chord type for the segment to be 
extracted (major/minor/seventh)
 
Division
 
Division
 
From
 
Measure number of the first measure of 
the segment to be extracted
 
For
 
Number of measures extracted
 
Display
Performance division
Intro
 
Intro
 
Original
 
Original accompaniment pattern
 
Fill To 
Vari
 
From the fill-in to the variation
 
Variation
 
Variation accompaniment pattern
 
Fill To Ori
 
From the fill-in to the original
 
Ending
 
Ending
KR117_115_r_e.book 156 ページ 2006年7月5日 水曜日 午前11時3分