Roland juno-stage 用户指南

 

-3–+3

Pitch of the part’s sound (in 1-octave units)

* Note that when a rhythm set is assigned to a part, you cannot modify this parameter.

 

-48–+48

Pitch of the part’s sound (in semitones, +/-4 octaves)

 

-50–+50

Pitch of the part’s sound (in 1-cent steps; one cent is 1/100th of a semitone)

 

0–24, PAT

Amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend Lever is 
moved.

The amount of change when the lever is tilted is set to the same value for both left and right 
sides.
If you want to use the Pitch Bend Range setting of the patch assigned to the part (p. 101), set 
this to “PAT.”

 

MFX 1–3, 
L+R, 
L, R, 
PAT 1–3

Specifies for each part how the direct sound will be output.

 

 Output in stereo through multi-effects. You can also apply chorus or reverb to the 

sound that passes through multi-effects. Specify which multi-effects (1–3) will be used.

 

 Output in stereo to the OUTPUT jacks without passing through the multi-effect

 

 Output in mono to the OUTPUT L jack without passing through the multi-effect

 

 Output in mono to the OUTPUT R jack without passing through the multi-effect

 

 The part’s output destination is determined by the settings of the patch or rhythm set 

assigned to the part. Specify which multi-effects (1–3) will be used.

• Chorus and reverb are output in mono at all times.
• The output destination of the signal after passing through the chorus is set with the Chorus 

 

0–127

Level of the signal that is sent to the output destination specified by Asgn.

 

0–127

Level of the signal sent to chorus for each part

 

0–127

Level of the signal sent to reverb for each part

 

OFF, ON (

 

✔

 

)

The settings of a specific patch can be used as the settings for MFX1–MFX3, chorus, and reverb. 
This setting specifies the part to which this patch has been assigned.

If no part is selected, the settings of the Performance will be used.

The Coarse Tune and Fine Tune parameters, along with the Octave Shift parameter, can all be seen as doing the same thing to the sound, i.e., 
changing the pitch of the sound. For example, if C4 (Middle C) is played with the Coarse Tune parameter set to “+12,” the note produced is C5 
(one octave above C4). For example, if C4 (Middle C) is played with the Octave Shift parameter set to “+1,” the note produced is C5 (one 
octave above C4).
However, internally these function very differently. When the Coarse Tune parameter is set to “+12,” the pitch itself is raised one octave. On the 
other hand, when the Octave Shift parameter is set to “+1,” it is the same as pressing the keys one octave up. In other words, use the Coarse 
Tune parameter when changing the pitch, and the Octave Shift parameter when you want to shift the entire keyboard, for example, when the 
number of keys is insufficient.

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