Roland RD-700 业主指南
84
Detailed Settings for Each Function ([EDIT])
Edit Mode
Adjusting the Tempo (Tempo)
This sets the speed of the arpeggio.
NOTE
The RD-700 has one tempo setting. You can change this
setting in the tempo display in the Tone screen; or
alternatively, you can change the rhythm’s tempo setting (p.
82).
setting in the tempo display in the Tone screen; or
alternatively, you can change the rhythm’s tempo setting (p.
82).
With Clock Source (p. 70) set to MIDI, “M:” appears in the
display, and the RD-700 is synchronized to the tempo of the
external MIDI device. The tempo cannot be changed with the
RD-700 when “M:” is indicated.
display, and the RD-700 is synchronized to the tempo of the
external MIDI device. The tempo cannot be changed with the
RD-700 when “M:” is indicated.
Selecting Parts to Play Arpeggios
(Dest. Part)
(Dest. Part)
This setting selects the part that is to play arpeggios when the
RD-700 is in Split mode or Layer mode (p. 41).
RD-700 is in Split mode or Layer mode (p. 41).
When transmitting arpeggio performances from the MIDI
OUT connector, set this to “ALL.”
OUT connector, set this to “ALL.”
Setting the Key Range for the
Arpeggio Performances
(Key Range)
Arpeggio Performances
(Key Range)
You cannot perform in the normal manner in the range set
for arpeggio performances, but you can specify the range
used for the arpeggios, which even allows you, for example,
to split the keyboard in Single mode (p. 41) and play
arpeggios as accompaniment in the left side, and the melody
in the right.
for arpeggio performances, but you can specify the range
used for the arpeggios, which even allows you, for example,
to split the keyboard in Single mode (p. 41) and play
arpeggios as accompaniment in the left side, and the melody
in the right.
Specify the leftmost and rightmost keys in the range to be
used for arpeggios.
used for arpeggios.
Setting the Way Arpeggios are
Played (Style)
Played (Style)
This sets the style of the arpeggio. Select from the following
45 options.
45 options.
Parameter
Value
Tempo
20–250
Parameter
Value
Dest.Part
UPPER1, UPPER2, LOWER,
ALL
ALL
Parameter
Value
Key Range
A0–C8
Parameter
Value
Description
Style
1/4
The rhythm will be divid-
ed in quarter notes.
ed in quarter notes.
1/6
The rhythm will be divid-
ed in quarter note trip-
lets.
ed in quarter note trip-
lets.
1/8
The rhythm will be divid-
ed in eighth notes.
ed in eighth notes.
1/12
The rhythm will be divid-
ed in eighth note triplets.
ed in eighth note triplets.
1/16
The rhythm will be divid-
ed in 16th notes.
ed in 16th notes.
1/32
The rhythm will be divid-
ed in 32nd notes.
ed in 32nd notes.
PORTAMEN-
TO A, B
TO A, B
A style using the porta-
mento effect.
mento effect.
GLISSANDO
A glissando style.
SEQUENCE
A–D
A–D
Styles for sequenced pat-
terns.
terns.
ECHO
An echo-like style.
SYNTH BASS,
HEAVY SLAP,
LIGHT SLAP,
WALK BASS
HEAVY SLAP,
LIGHT SLAP,
WALK BASS
Styles appropriate for
bass playing.
bass playing.
RHYTHM GTR
1–5
1–5
Styles for guitar cutting.
Styles 2–5 are effective
when 3–4 notes are held.
Styles 2–5 are effective
when 3–4 notes are held.
3 FINGER GTR
Three-finger guitar style.
STRUM GTR
UP, STRUM
GTR DOWN,
STRUM GTR
UD
UP, STRUM
GTR DOWN,
STRUM GTR
UD
Guitar chords strummed
both up and down. Effec-
tive when 5–6 notes are
held.
both up and down. Effec-
tive when 5–6 notes are
held.
PIANO BACK.,
CLAVI
CHORD
CLAVI
CHORD
Styles for keyboard in-
strument backing.
strument backing.
WALTZ,
SWING
WALTZ
SWING
WALTZ
Styles in triple meter.
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