Roland SH-32 业主指南

This setting (duration) determines whether the sounds are played 
staccato (short and clipped), or tenuto (fully drawn out).

This setting has no effect with Rhythm Styles.

fig.06-05

▼

▲

 30, 40, 50, 60, 70, 80, 90, 100, 120, FUL, Ft1, Ft2

For example, when set to “30,” the length of the note in a grid (or 
when a series of grids is connected with ties, the final grid) is 
30% of the full length of the note set in the grid type.

 Even if the linked grid is not connected with a tie, the 

same note continues to sound until the point at which the next 
new sound is specified.

 Just as with regular arpeggios, the varying 

combinations of note numbers are played according to the keys 
pressed during the performance; these are then substituted with 
the controls relative to the filter cutoff frequency. The patterns of 
the filter switching on and off changes according to how the keys 
are pressed.

 The note numbers originally played when the 

Arpeggio Style was created are produced, regardless of the keys 
pressed during performance; then these are the controls relative 
to the filter cutoff frequency. This yields a fixed pattern where 
the changes occur in steps, similar to a step modulator.

With both “Ft1” (Filter 1) and “Ft2” (Filter 2), the note number 
designating the sound to be produced by Arpeggiator is 
replaced with the controls relative to the filter cutoff frequency. 
This provides a filter effect that changes the sound to a scale that 
progresses according to the rhythm.

This adds an effect that shifts arpeggios one cycle at a time in octave 
units (octave range). You can set the shift range upwards or 
downwards (up to three octaves up or down).

This setting has no effect with Rhythm Styles.

fig.06-06

▼

▲

 -3–0–3

This selects the method used to play sounds (motif) when you have a 
greater number of notes than programmed for the Arpeggio Style.

When the number of keys played is less than the number of 
notes in the Style, the highest-pitched of the pressed keys is 
played by default.

This setting has no effect with Rhythm Styles.

fig.06-06

▼

▲

 Only the lowest of the keys pressed is sounded each time, 

and the notes play in order from the lowest of the pressed keys.

 Notes from both the lowest and highest pressed keys are 

sounded each time, and the notes play in order from the lowest 
of the pressed keys.

 The notes play in order from the lowest of the pressed 

keys. No one note is played every time.

 Only the lowest of the keys pressed is sounded each time, 

and the notes play in order from the highest of the pressed keys.

 Notes from both the lowest and highest pressed keys are 

sounded each time, and the notes play in order from the highest 
of the pressed keys.

 The notes play in order from the highest of the pressed 

keys. No note is played every time.

 Only the lowest of the keys pressed is sounded each time, 

and the notes in the arpeggio are played in order from the lowest 
of the pressed keys and then back again in the reverse order.

 Notes from both the lowest and highest pressed keys are 

sounded each time, and the notes play in order from the lowest 
of the pressed keys and then back again in the reverse order.

 The notes play in order from the lowest of the pressed 

keys, and then back again in the reverse order. No note is played 
every time.

 While only the lowest of the keys pressed is sounded each 

time, the notes in the arpeggio are played in random order.

Action of a Style starting from the lowest note, “1-2-3-2” when the 
keys “

-D-E-F-

” are played

When “UP.L” is selected as the motif:

-D-E-D 

→

 

-E-F-E 

→

 

-F-G-F (

→

 repeated)

When “UP._” is selected as the motif:

-D-E-D 

→

 D-E-F-E 

→

 E-F-G-F (

→

 repeated)

When “Ud.H” is selected as the motif:

-D-

-D 

→

 

-E-

-E 

→

 

-F-

-F 

→

 

-E-

-E (

→

 repeated)