Sony STR-DA555ES 手册

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ES Receivers v1.0 
 
Page 7 
carefully at the pulses, you'll see that where the audio waveform is positive, the 
pulses are mostly 1.  Where the audio waveform is negative, the pulses are 
mostly 0.  In this way, a 1-bit pulse stream can represent the audio signal.  As 
with a DSD signal, a Low Pass Filter (LPF) is all you need to recover the original 
audio signal.  
 
 
In the diagram above, (A) represents the output power pulse stream.  
This combines two components, the original audio signal (B) and a 
noise component (C).  The audio signal (B) looks smooth and 
continuous because the frequencies are low.  The noise component (C) 
looks abrupt and spiky because the frequencies are high.  The Low 
Pass Filter (LPF) effectively separates out the audio signal, for 
extremely accurate music reproduction.   
 
Inside the S-Master Pro process  
 
 
While Sony's S-Master Pro amplifier is simple in principle, the fidelity of 
the output signal depends on getting each pulse exactly right.  That is, the 
leading and trailing edges of each pulse must have the right timing—and the 
height of each pulse must be carefully controlled.  This is comparable to the 
requirements for Super Audio CD playback.  So to accomplish these goals, Sony 
used technologies developed for our legendary SCD-1 Super Audio CD player.  
 
 
 
Sony's CXD9773Q S-Master Pro LSI incorporates several stages of 
crucial signal processing.  
 
 
In specific, the S-Master Pro LSI incorporates five important technologies: 
 
•  Clean Data Cycle.  "Jitter" or time-base errors can degrade the accuracy of 
digital signals.  That's why the first stage of the S-Master Pro process is 
Sony's Clean Data Cycle.  This regenerates the digital signal with time-axis 
accuracy equivalent to the original A/D converter at the recording studio.  In