Canon EOS C300 Mark II PL 手册
3.9
On-set Operational Systemization
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It is especially noteworthy that the operational capabilities of the C300 Mark have been further
enhanced with an innovative on-set systemization that encompasses the new Canon 4K
Reference Display DP V2410. A single 3G SDI interface transfers the 4K RAW output of the
C300 Mark II to the display DP V2410 which internally deBayers this to facilitate live-on-set
viewing. That same signal can be looped through the display and sent to a video village or
directly to an external RAW recorder (of which there are now many choices that handle the
Canon 4K RAW signal format). This same reference display can perform on-set grading of that
RAW signal within an in-built ACES color space. The grading settings are recorded as ASC
CDL files on a thumbdrive plugged into the display. The C300 Mark II can also deliver a 10-bit
ACESproxy output [4] via the SDI that can be an alternate for color grading within the display.
enhanced with an innovative on-set systemization that encompasses the new Canon 4K
Reference Display DP V2410. A single 3G SDI interface transfers the 4K RAW output of the
C300 Mark II to the display DP V2410 which internally deBayers this to facilitate live-on-set
viewing. That same signal can be looped through the display and sent to a video village or
directly to an external RAW recorder (of which there are now many choices that handle the
Canon 4K RAW signal format). This same reference display can perform on-set grading of that
RAW signal within an in-built ACES color space. The grading settings are recorded as ASC
CDL files on a thumbdrive plugged into the display. The C300 Mark II can also deliver a 10-bit
ACESproxy output [4] via the SDI that can be an alternate for color grading within the display.
Figure 20
On-set operational creativity is greatly extended by the coordinated systemization of the
new C300 Mark II and the new reference display DP V2410 that facilitates on-set grading according to the
ACES 1.0 system
ACES 1.0 system
4.0 SUMMARY
While the original EOS C300 and the new EOS C300 Mark II bear a close physical resemblance
to each other the differences between them are striking in multiple respects. A primary design
goal in the new camcorder was to implement as many as possible of the wide ranging
suggestions from those having experiences with the original C300 – especially those bearing
upon ergonomic and operational issues. This paper is intended to provide an overview of the
more prominent of these end-user urgings. But, there are many more enhancements
incorporated in the C300 Mark II.
to each other the differences between them are striking in multiple respects. A primary design
goal in the new camcorder was to implement as many as possible of the wide ranging
suggestions from those having experiences with the original C300 – especially those bearing
upon ergonomic and operational issues. This paper is intended to provide an overview of the
more prominent of these end-user urgings. But, there are many more enhancements
incorporated in the C300 Mark II.
The C300 Mark II also benefits from significant technological advances in both camera image
origination and video processing [1], as well as in the allied video capture [2]. These technical
details are each covered in the two referenced separate white papers. The C300 Mark II is
designed for serious theatrical motion picture and many forms of high-end television
productions.
origination and video processing [1], as well as in the allied video capture [2]. These technical
details are each covered in the two referenced separate white papers. The C300 Mark II is
designed for serious theatrical motion picture and many forms of high-end television
productions.
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