Access virus indigo ii 用户手册
ACCESS VIRUS OS5
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LFOs can run independently or in sync. A
number of keyboard trigger options enable you
start LFO waveshapes with variable phase
lengths at the beginning of a note and/or to cy-
cle once only, like an envelope.
number of keyboard trigger options enable you
start LFO waveshapes with variable phase
lengths at the beginning of a note and/or to cy-
cle once only, like an envelope.
Next to the numerous ”hard-wired” or fixed
modulation configurations, you can assign
three modulation sources to up to nine different
modulation destinations via the Modulation Ma-
trix. For your modulation sources, you have
LFOs, velocity, the pitch bender, aftertouch, the
modulation wheel, numerous MIDI controllers
and other sources to chose from. For your
modulation destinations, you can select any
sound parameter of the VIRUS that is condu-
cive to being remote controlled.
modulation configurations, you can assign
three modulation sources to up to nine different
modulation destinations via the Modulation Ma-
trix. For your modulation sources, you have
LFOs, velocity, the pitch bender, aftertouch, the
modulation wheel, numerous MIDI controllers
and other sources to chose from. For your
modulation destinations, you can select any
sound parameter of the VIRUS that is condu-
cive to being remote controlled.
Up to 16 arpeggiators are available in MULTI
mode. These give you countless options for
creating arpeggios, which can also be synced
up to MIDI clock.
mode. These give you countless options for
creating arpeggios, which can also be synced
up to MIDI clock.
Sounds and effects are patched out via six au-
dio outputs which of course can also be used to
route three stereo signals out.
dio outputs which of course can also be used to
route three stereo signals out.
In additional to its killer sounds and tone, the
VIRUS was designed to deliver ultimate han-
dling and control comfort. It is equipped with
dedicated knobs and buttons for the crucial
synthesizer functions, further parameters are
accessible via data entry procedures. We distin-
guished between these two levels of expertise
to enable you to create complex sounds while
keeping the user interface as clear and unclut-
tered as possible.
VIRUS was designed to deliver ultimate han-
dling and control comfort. It is equipped with
dedicated knobs and buttons for the crucial
synthesizer functions, further parameters are
accessible via data entry procedures. We distin-
guished between these two levels of expertise
to enable you to create complex sounds while
keeping the user interface as clear and unclut-
tered as possible.
In all modesty, we are especially proud of a fea-
ture we developed called Adaptive Parameter
Smoothing. For the first time in the history of
synthesizers equipped with memories, you can
manipulate a knob or control feature without an
audible step or increment. In other words, the
sound does not change abruptly but SEAM-
LESSLY. No more zipper noises! The VIRUS re-
ture we developed called Adaptive Parameter
Smoothing. For the first time in the history of
synthesizers equipped with memories, you can
manipulate a knob or control feature without an
audible step or increment. In other words, the
sound does not change abruptly but SEAM-
LESSLY. No more zipper noises! The VIRUS re-
sponds just as smoothly as analog synthesizers
did prior to the introduction of digital sound
storage
did prior to the introduction of digital sound
storage
And users of contemporary software sequenc-
ers will appreciate the fact that the VIRUS
sends all sound shaping commands immedi-
ately in the form of MIDI Controller or Poly Pres-
sure data (and of course accepts all of the
corresponding Controller and SysEx messag-
es). This feature lets you dynamically control the
VIRUS and all its functions via computer.
ers will appreciate the fact that the VIRUS
sends all sound shaping commands immedi-
ately in the form of MIDI Controller or Poly Pres-
sure data (and of course accepts all of the
corresponding Controller and SysEx messag-
es). This feature lets you dynamically control the
VIRUS and all its functions via computer.
Although far from complete, the features listed
above give you some indication that you now
own an exceptionally versatile, high-quality mu-
sical instrument that will give you plenty of joy
for years to come. We certainly hope you can
fully exploit the enormous potential of this fine
instrument.
above give you some indication that you now
own an exceptionally versatile, high-quality mu-
sical instrument that will give you plenty of joy
for years to come. We certainly hope you can
fully exploit the enormous potential of this fine
instrument.
Have fun and enjoy!
Your VIRUS Development Team
Your VIRUS Development Team
By the way: a rack mounting kit is optionally
available for the Virus C. Feel free to get in
touch with your local authorized dealer for more
info.
available for the Virus C. Feel free to get in
touch with your local authorized dealer for more
info.
Many thanks to:
Ben Crosland, Maik Fliege, Thomas Green, Axel
Hartmann, Uwe G. Hönig, Jörg Hüttner, Timo
Kaluza, Oliver Käser, Andrea Mason, Thorsten
Matuschowski, Jörg Meißner, Paul Nagel, Kai
Niggemann, Rob Papen, Matt Picone, Wieland
Samolak, Daniela Sauerbier, Howard Scarr,
Hans-Jörg Scheffler, Shehryar Lasi, Jenny Si-
mon, Matt Skags, Joeri Vankeirsbilck, Jay
Vaughan, Jens Wegerhoff and Daniel Wewer.
Ben Crosland, Maik Fliege, Thomas Green, Axel
Hartmann, Uwe G. Hönig, Jörg Hüttner, Timo
Kaluza, Oliver Käser, Andrea Mason, Thorsten
Matuschowski, Jörg Meißner, Paul Nagel, Kai
Niggemann, Rob Papen, Matt Picone, Wieland
Samolak, Daniela Sauerbier, Howard Scarr,
Hans-Jörg Scheffler, Shehryar Lasi, Jenny Si-
mon, Matt Skags, Joeri Vankeirsbilck, Jay
Vaughan, Jens Wegerhoff and Daniel Wewer.